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Joaquim Rodrigo’s Painting : A Particularity in the Portuguese Case

dc.contributor.authorLapa, Pedro
dc.date.accessioned2021-06-17T10:47:21Z
dc.date.available2021-06-17T10:47:21Z
dc.date.issued2020
dc.descriptionCapítulo da obra "RETHINKING EUROPE: ARTISTIC PRODUCTION AND DISCOURSES OF ART IN THE LATE 1940S AND 1950S.", que resultou da conferência ocorrida em 2018.pt_PT
dc.description.abstractIn the postwar period, Portuguese art faced a politically-imposed isolation that prevented emerging artists from engaging and interacting with the rest of Europe. For these artisits, other geographical, cultural contexts were no more than remote possibilities of exchange: sometimes mythical places of an avant-garde known through magazine articles, sometimes places they had briefly visited in search of a more direct link with their time. Portugal lived in an established dictatorship known as Estado Novo (New State) that lasted until 1974. The regime's anti-modernism sought to eliminate all modern artistic practices in an attempt to preserve its traditional cultural values, strongly dominated by the government's fascist ideology. The absence of structures for the production, exhibition, and reception of modern art during the twentieth century contributed towards the lessening of modern pratices in the national context, hindering the development of knowledge updated by artists, critics, and audiences. In spite of these setbacks, overall Portuguese artists succeded in overcoming this aloofness to which the regime condemned them. Over time, these artists managed to find ways to a distant modernity - which had become predominant in the process of reconstructing a new world in the postwar period in Wetern Europe. [com o apoio à tradução da Fundação para a Ciência e a Tecnologia - FCT]pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationLapa, Pedro, “ Joaquim Rodrigo’s Painting, A Particularity in the Portuguese Case” in Rethinking Postwar Europe. Artistic Production and Discourses on Art in the late 1940’s and 1950’s. Edited by Barbara Lange, Dirk Hildebrandt, Agata Pietrasik,197-212. Wien, Köln, Weimar: Böhlau Verlag, 2020.pt_PT
dc.identifier.doihttps://doi.org/10.7788/9783412514020.197pt_PT
dc.identifier.isbn978-3-412-51400-6
dc.identifier.urihttp://hdl.handle.net/10451/48614
dc.language.isoengpt_PT
dc.peerreviewednopt_PT
dc.publisherWeimar: Böhlau Verlagpt_PT
dc.relationARTIS - Art History Institute, College of Arts,University of Lisbon
dc.relation.publisherversionhttps://www.postwar-europe.de/english/activities/edited-book/pt_PT
dc.subjectPostwar Europept_PT
dc.subjectRodrigo, Joaquim, 1912-1997pt_PT
dc.subjectEstado Novopt_PT
dc.titleJoaquim Rodrigo’s Painting : A Particularity in the Portuguese Casept_PT
dc.typebook part
dspace.entity.typePublication
oaire.awardNumberUID/EAT/04189/2019
oaire.awardTitleARTIS - Art History Institute, College of Arts,University of Lisbon
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UID%2FEAT%2F04189%2F2019/PT
oaire.citation.conferencePlaceBerlimpt_PT
oaire.citation.endPage212pt_PT
oaire.citation.startPage197pt_PT
oaire.citation.titleRethinking Postwar Europe. Artistic Production and Discourses on Art in the late 1940’s and 1950’spt_PT
oaire.fundingStream6817 - DCRRNI ID
person.familyNameLapa
person.givenNamePedro
person.identifier.orcid0000-0003-3775-2030
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccesspt_PT
rcaap.typebookPartpt_PT
relation.isAuthorOfPublicationed90b35a-e9ee-41ad-beb4-c311715a09d2
relation.isAuthorOfPublication.latestForDiscoveryed90b35a-e9ee-41ad-beb4-c311715a09d2
relation.isProjectOfPublicationfdce524e-5852-41f3-b00c-bcc7edbf427e
relation.isProjectOfPublication.latestForDiscoveryfdce524e-5852-41f3-b00c-bcc7edbf427e

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