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Giovanni Gherardo De Rossi (1754-1827) na direção da Academia Portuguesa de Belas Artes em Roma : ensino e mercado da arte
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Estudo que define as consequências da ação do critico de arte e connoisseur Giovanni Gherardo De Rossi (Roma, 1754 – 1827) na direção da Academia Portuguesa de Belas Artes em Roma, ou “Accademia di Portogallo”. Em análise está o período que abrange a fundação e extinção definitiva da Academia Portuguesa (1791-1805), que estendemos até meados de Oitocentos, tendo em consideração as tentativas de refundação daquela instituição ocorridas até 1817 e o envio de artistas bolseiros portugueses para Roma a partir dos anos vinte. A abordagem sobre De Rossi visa aprofundar a sua ação enquanto diretor da Academia através da reflexão sobre as suas escolhas didáticas e pedagógicas, e enquanto intermediário nas transações de obras de arte em favor da corte portuguesa e das elites nacionais. Coube neste estudo uma análise aprofundada das figuras de Alexandre de Sousa Holstein (Lisboa, 1751 – Roma, 1803), fundador da Academia Portuguesa em Roma, e do seu filho Pedro, futuro duque de Palmela (Turim, 1784 - Lisboa, 1850), através da definição do seu gosto de colecionadores e mecenas face ao consumo artístico no mercado da arte romano, e da ação empreendedora enveredada no contexto da promoção da instituição objeto desta pesquisa. Propomos novas pistas de investigação sobre os artistas bolseiros enviados para Roma entre 1785 e 1825, apontando para a implementação de um diagrama da circulação e trocas artísticas entre Roma e Lisboa a partir de finais de Setecentos e até meados de Oitocentos, face à difusão da cultura estética neoclássica em Portugal. O enfoque na figura de António Jacinto Xavier Cabral, bolseiro e gravador protagonista de uma controversa carreira de negociante de arte até aos anos sessenta de Oitocentos, conclui este estudo, seguindo o fil rouge dos reflexos da ação de Giovanni Gherardo De Rossi com ênfase no mercado de arte internacional.
Study focused on the action of the connoisseur and writer on art Giovanni Gherardo De Rossi (Rome, 1754 - 1827) during his tenure as director of the Portuguese Academy of Fine Art in Rome, also known as Accademia di Portogallo. The study spans over until the mid of the Nineteenth Century, starting with the foundation and extinction of the Portuguese Academy (1791-1805), covering the different attempts to resurrect it up to 1817 and the arrival of young Portuguese artists since the twenties on. Following a thorough analysis of De Rossi didactic and pedagogic choices, the study gives strong insights into his actions and attitude both as the director of the Portuguese Academy and as an intermediary in some mayor art transactions involving the Portuguese court and elites. This study includes an in-depth presentation of Alexandre de Sousa Holstein (Lisbon, 1751 - Rome, 1803), founder of the Portuguese Academy in Rome, and of his son Pedro, future Duke of Palmela (Turin, 1784 - Lisbon, 1850), focusing on their taste as collectors and patrons, their achievements in the roman art market and their actions in the context of the foundation of the institution. New findings about the Portuguese artists sent to Rome between 1785 and 1825 are highlighted in order to carry out a map of the artistic exchanges between Rome and Lisbon and its significant effect on the spreading of the neoclassical aesthetic taste in Portugal. Eventually, the focus on the figure of António Jacinto Xavier Cabral, engraver posted in Italy under the patronage of the king John VI, who was to lead a controversial career as an art dealer in Rome until the 1860s concludes this study following the fil rouge of the consequences of Giovanni Gherardo De Rossi’s action, whit an emphasis on the international art market.
Study focused on the action of the connoisseur and writer on art Giovanni Gherardo De Rossi (Rome, 1754 - 1827) during his tenure as director of the Portuguese Academy of Fine Art in Rome, also known as Accademia di Portogallo. The study spans over until the mid of the Nineteenth Century, starting with the foundation and extinction of the Portuguese Academy (1791-1805), covering the different attempts to resurrect it up to 1817 and the arrival of young Portuguese artists since the twenties on. Following a thorough analysis of De Rossi didactic and pedagogic choices, the study gives strong insights into his actions and attitude both as the director of the Portuguese Academy and as an intermediary in some mayor art transactions involving the Portuguese court and elites. This study includes an in-depth presentation of Alexandre de Sousa Holstein (Lisbon, 1751 - Rome, 1803), founder of the Portuguese Academy in Rome, and of his son Pedro, future Duke of Palmela (Turin, 1784 - Lisbon, 1850), focusing on their taste as collectors and patrons, their achievements in the roman art market and their actions in the context of the foundation of the institution. New findings about the Portuguese artists sent to Rome between 1785 and 1825 are highlighted in order to carry out a map of the artistic exchanges between Rome and Lisbon and its significant effect on the spreading of the neoclassical aesthetic taste in Portugal. Eventually, the focus on the figure of António Jacinto Xavier Cabral, engraver posted in Italy under the patronage of the king John VI, who was to lead a controversial career as an art dealer in Rome until the 1860s concludes this study following the fil rouge of the consequences of Giovanni Gherardo De Rossi’s action, whit an emphasis on the international art market.