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Advisor(s)
Abstract(s)
A música é algo importante para qualquer cultura e sociedade. Em Portugal, tal como em outros países, existem inúmeros músicos ou bandas, de todos os géneros musicais, a atuar pelo mundo fora.
Com a pandemia Covid-19 e com todas as medidas e restrições impostas ao abrigo do estado de emergência, no que aos espetáculos se refere, tanto aos espaços que recebem os espetáculos como aos músicos que os sustêm, existe o enorme risco de muitos terem que desistir da carreira para se dedicarem a outra profissão que, de facto, os possa sustentar. Mesmo num cenário corrente, sem pandemia, existe também a limitação de, na grande maioria dos concertos, só poderem assistir quem de facto estiver presente, colocando de parte um grande número de possíveis espetadores que, por algum motivo, não podem comparecer.
Assim, este projeto tem como objetivo principal criar um sistema interativo digital que incorpore uma agenda de concertos para músicos e salas de concertos a nível nacional e que permita a sua transmissão em direto, via live streaming ou por mixed reality. Isto possibilitará tanto aos músicos como às salas de espetáculos poderem continuar a trabalhar, mesmo que em moldes diferentes, dando assim, a possibilidade também àqueles que não puderam comparecer, de assistir ao espetáculo.
Para este projeto, a metodologia é mista, intervencionista e não intervencionista, de base qualitativa e quantitativa. Numa primeira fase, a exploratória, foi feita revisão da literatura e realizado um estudo de casos para enquadrar e fundamentar a realização de um projeto. Numa segunda fase, a generativa, desenvolveu-se um projeto em design de interação, com base no conceito de mixed reality, de modo a poder-se comprovar o argumento. Na terceira fase, a avaliativa, foram feitos pré-testes e testes de usabilidade com utilizadores, de um protótipo funcional, que avaliaram não só o fluxo interativo do sistema, como também o seu conceito e o seu conteúdo.
Pretende-se com este projeto, permitir interação, para além das convencionais, entre músicos e espetadores, proporcionado uma maior aproximação, e contribuir para que, todos aqueles que de forma direta ou indireta estejam relacionados com a música, continuem a usufruir dela.
Music is something important to any culture and society. In Portugal, as in other countries, there are countless musicians or bands, of all musical genres, performing all over the world. With the Covid-19 pandemic and all the measures and restrictions imposed under the state of emergency, as far as shows are concerned, both the venues that host the shows and the musicians who support them, there is a huge risk that many will have to give up their careers to dedicate themselves to another profession that can, in fact, support them. Even in a current scenario, without a pandemic, there is also the limitation that, in most concerts, only those who are present can attend, putting aside many possible spectators who, for some reason, cannot attend. Thus, this project's main goal is to create a digital interactive system that incorporates a concert agenda for musicians and concert halls at a national level and that allows its live broadcast via live streaming or mixed reality. This will enable both musicians and venues to continue working, even if in different ways, thus also giving the possibility to those who were not able to attend the show. For this project, the methodology is mixed, interventionist and non-interventionist, with a qualitative and quantitative base. In the first phase, the exploratory one, a literature review was carried out and a case study was conducted to frame and justify the realization of a project. In the second phase, the generative phase, a project in interaction design was developed, based on the concept of mixed reality, to prove the argument. In the third phase, the evaluative phase, pre-tests, and usability tests were done with users, of a functional prototype, which evaluated not only the interactive flow of the system, but also its concept and content. It is intended with this project, to allow interaction beyond the conventional, between musicians and spectators, providing a closer relationship, and contribute to, all those who directly or indirectly are related to music, continue to enjoy it.
Music is something important to any culture and society. In Portugal, as in other countries, there are countless musicians or bands, of all musical genres, performing all over the world. With the Covid-19 pandemic and all the measures and restrictions imposed under the state of emergency, as far as shows are concerned, both the venues that host the shows and the musicians who support them, there is a huge risk that many will have to give up their careers to dedicate themselves to another profession that can, in fact, support them. Even in a current scenario, without a pandemic, there is also the limitation that, in most concerts, only those who are present can attend, putting aside many possible spectators who, for some reason, cannot attend. Thus, this project's main goal is to create a digital interactive system that incorporates a concert agenda for musicians and concert halls at a national level and that allows its live broadcast via live streaming or mixed reality. This will enable both musicians and venues to continue working, even if in different ways, thus also giving the possibility to those who were not able to attend the show. For this project, the methodology is mixed, interventionist and non-interventionist, with a qualitative and quantitative base. In the first phase, the exploratory one, a literature review was carried out and a case study was conducted to frame and justify the realization of a project. In the second phase, the generative phase, a project in interaction design was developed, based on the concept of mixed reality, to prove the argument. In the third phase, the evaluative phase, pre-tests, and usability tests were done with users, of a functional prototype, which evaluated not only the interactive flow of the system, but also its concept and content. It is intended with this project, to allow interaction beyond the conventional, between musicians and spectators, providing a closer relationship, and contribute to, all those who directly or indirectly are related to music, continue to enjoy it.
Description
Keywords
Música Design de Interação Mixed Reality Concertos ao Vivo
Pedagogical Context
Citation
Publisher
Faculdade Arquitetura, Universidade Lisboa