Repressão e sexualidade - tela branca

Dinis, Martim João Duarte

Publication

Repressão e sexualidade - tela branca

2020-01-16Master thesis

datacite.subject.fos	Humanidades::Artes	pt_PT
dc.contributor.advisor	Sabino, Isabel
dc.contributor.author	Dinis, Martim João Duarte
dc.date.accessioned	2020-01-17T18:13:20Z
dc.date.available	2020-01-17T18:13:20Z
dc.date.issued	2020-01-16
dc.description.abstract	This project aims to investigate the creative process of painting from something intimate: the repression and sexuality in my childhood and adolescence. We are today in a society that has made great strides in the legal realm and a substantial transformation of mentalities, nevertheless it is still governed by patriarchal and heteronormative views. In our society, identity still needs to be built. The first chapter, entitled "Repression and Homosexual Identity," draws on authors such as Foucault and Butler to understand current thinking about sexuality and identity outside heteronormative patterns, and to analyze the work of some queer artists since the nineteenth century. The second chapter, entitled "The White Canvas: The Creative Act", calls on authors such as Baudelaire, Berger, Deleuze, Hockney, and Kandinsky to explore the relationship that is established with the empty space - the white canvas - by clarifying the movements that precede the physical creative process, the discussion about the validity of painting, the multiplicity and accessibility of existing images, as well as a historical reflection on the artistic language of painting. From this reflection there is the need to develop the artistic project of repression and sexuality to the visual plane, contemplating the reflection on concepts such as the notion of "beauty" of Baudelaire, the need for "emptying" of Deleuze, the validity of painting after the appearance of photography, the multiplicity and accessibility of existing images. After this awareness of the power of the image, the third chapter investigates visual artists that relate to the theme and the use of a personal archive, such as Richter, Tuymans, Dumas, Bacon and Hockney, in order to build a new reality. This through the medium of painting, which simultaneously reveal and omit (the visible and the invisible) images of events and bodily sensations. Thus, the works created seek to explore the affective links with memory, rituals and institutions attended. In parallel, the artistic project integrates the conceptual and aesthetic concerns, raised in the analysis of so many authors, to execute on the "white canvas" personal moments, in a series that I call "Atonement".	pt_PT
dc.identifier.tid	202369706	pt_PT
dc.identifier.uri	http://hdl.handle.net/10451/40998
dc.language.iso	por	pt_PT
dc.subject	Foucault, Michel, 1926-1984	pt_PT
dc.subject	Berger, John, 1926-2017	pt_PT
dc.subject	Wilde, Oscar, 1854-1900	pt_PT
dc.subject	Butler, Judith Pamela, 1956-	pt_PT
dc.subject	Baudelaire, Charles, 1821-1867	pt_PT
dc.subject	Deleuze, Gilles, 1925-1995	pt_PT
dc.subject	Hockney, David, 1937-	pt_PT
dc.subject	Kandinsky, Wassily, 1866-1944	pt_PT
dc.subject	Cesariny, Mário, 1923-2006	pt_PT
dc.subject	Rego, Paula, 1935-	pt_PT
dc.subject	Pintura	pt_PT
dc.subject	Repressão	pt_PT
dc.subject	Sexualidade	pt_PT
dc.subject	Homoerotismo	pt_PT
dc.subject	Homosexualidade	pt_PT
dc.subject	Expiação	pt_PT
dc.subject	Tela em branco	pt_PT
dc.title	Repressão e sexualidade - tela branca	pt_PT
dc.type	master thesis
dspace.entity.type	Publication
rcaap.rights	openAccess	pt_PT
rcaap.type	masterThesis	pt_PT
thesis.degree.name	Dissertação de Mestrado em Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2020	pt_PT