datacite.subject.fos	Humanidades::Artes	pt_PT
dc.contributor.advisor	Marcelino, Américo
dc.contributor.author	Serafim, Kalinka
dc.date.accessioned	2020-02-04T17:05:45Z
dc.date.available	2020-02-04T17:05:45Z
dc.date.issued	2020-01-30
dc.description.abstract	The present work “Self-portrait and self-representation: variations on a theme” addresses the issue of self-representation in art through the creation of a series of drawn self-portraits. The project has an investigative character, and the drawings were developed in series from the exploration of varied techniques and materials, sometimes traditional, sometimes less conventional. The creative process focused on making selfportraits using a mirror, an indispensable item that allows us to observe our face directly. The drawings created from the reflection’s observation were transformed throughout the development process of the series, enabling the discovery of new representational forms that deviate from the mimetic reproduction of the mirror image. The way the face was represented went through major changes throughout the development of the self-portraits. The use of chance in the creation of accidental stains contributed to a more freely and subjective graphic registration, avoiding the more objective figurative representation of the face. From experiences with various tools and techniques, it was possible to find new answers that increased the exploration of structural elements of the drawing’s graphic language with stains, strokes, textures or color. The project presents a theoretical research related to the theme in question, and a practical part that reports the experiments performed during the development of the work, as well as the results obtained from the artistic research. The first two parts focus on the study of the emergence of self-portrait in art history; the concept of self-representation, especially in modern and contemporary art; in the theoretical study concerning the creation of serial drawings; and in approaching the issue of variation of the same theme in artistic practice. The third and last part focuses on the practical work, ie the process of creating the self-portraits.	pt_PT
dc.identifier.tid	202388085	pt_PT
dc.identifier.uri	http://hdl.handle.net/10451/41596
dc.language.iso	por	pt_PT
dc.subject	Rembrandt, 1606-1669	pt_PT
dc.subject	Bacon, Francis, 1909-1992	pt_PT
dc.subject	Kahlo, Frida 1907-1954	pt_PT
dc.subject	Hockney, David, 1937-	pt_PT
dc.subject	Van Gogh, Vincent, 1853-1890	pt_PT
dc.subject	Picasso, Pablo, 1881-1973	pt_PT
dc.subject	Warhol, Andy, 1928-1987	pt_PT
dc.subject	Richter, Gerhard, 1936-	pt_PT
dc.subject	Monet, Claude, 1840-1926	pt_PT
dc.subject	Kossoff, Leon, 1926-	pt_PT
dc.subject	Dreher, Peter, 1932-	pt_PT
dc.subject	Desenho	pt_PT
dc.subject	Auto-retrato	pt_PT
dc.subject	Auto representação	pt_PT
dc.subject	Séries	pt_PT
dc.subject	Tema - variações	pt_PT
dc.subject	Estudos de caso	pt_PT
dc.subject	Minimalismo	pt_PT
dc.title	Autorretrato e autorrepresentação: variações sobre um tema	pt_PT
dc.type	master thesis
dspace.entity.type	Publication
rcaap.rights	openAccess	pt_PT
rcaap.type	masterThesis	pt_PT
thesis.degree.name	Dissertação de Mestrado em Desenho, Universidade de Lisboa, Faculdade de Belas Artes, 2020	pt_PT

Autorretrato e autorrepresentação: variações sobre um tema

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