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A ficcionalização na escrita intimista de Dulce Maria Cardoso em Tudo São Histórias de Amor e Autobiografia Não Autorizada
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Abstract(s)
O presente trabalho pretende estudar a ficcionalização na escrita intimista em dois livros da autora Dulce Maria Cardoso, a coletânea de contos Tudo São Histórias de Amor (2014) e o livro de crónicas Autobiografia Não Autorizada (2021). Propõe-se uma reflexão sobre os traços autobiográficos dos textos, discutindo o “pacto autobiográfico” de Philippe Lejeune e sobre a sobreposição sugerida no corpus entre autor textual e o sujeito empírico. Será tido em consideração o facto de estarmos perante textos de géneros literários distintos. Para a análise da autorrepresentação presente no corpus, serão lidos também textos não ficcionais, como entrevistas da autora. Será discutido o modo como as experiências pessoais da autora se refletem na sua obra, em particular o regresso na ponte aérea de 1974, momento determinante na sua vida. Dada essa importância, o romance O Retorno e a temática da pós-colonialidade serão também estudados. Em textos em que memória e invenção se fundem são evocadas recordações de infância da autora: serão estudados esses “lugares de memória” e a relevância da infância na escrita do eu. As reflexões metaliterárias e a projeção de uma figura de autor são frequentes nestes textos. Nessa perspetiva propõe-se um olhar crítico perante a génese da escrita e a sua ficcionalização.
The present work aims to study the fictionalization of the intimate writing in two books by the author Dulce Maria Cardoso, the collection of short stories Tudo São Histórias de Amor (2014) and the chronicles of Autobiografia Não Autorizada (2021). It is proposed a reflexion on the autobiographical traits in the texts, discussing Philippe Lejeune's “autobiographical pact” and the overlap between textual author and the empirical author. The different literary genres of the corpus, short story and chronicle are also implied in the study of the intimate writing. For the analysis of self-representation, non-fiction texts are also highlighted, such as interviews with the author. The author's personal experiences, in particular her return in 1974 from the Portuguese ex-colony Angola, is a defining moment that is reflected in her work. Therefore, the book O Retorno (2011) and the postcolonial thematic are also addressed in the dissertation. In texts where memory and invention merge, memories of the author's childhood are evoked. These “places of memory” and the relevance of childhood in the writing of the self will be studied. Metaliterary reflections and the determination to become a writer are frequent in these texts. From this perspective, it is proposed a look at the genesis of writing and its fictionalization.
The present work aims to study the fictionalization of the intimate writing in two books by the author Dulce Maria Cardoso, the collection of short stories Tudo São Histórias de Amor (2014) and the chronicles of Autobiografia Não Autorizada (2021). It is proposed a reflexion on the autobiographical traits in the texts, discussing Philippe Lejeune's “autobiographical pact” and the overlap between textual author and the empirical author. The different literary genres of the corpus, short story and chronicle are also implied in the study of the intimate writing. For the analysis of self-representation, non-fiction texts are also highlighted, such as interviews with the author. The author's personal experiences, in particular her return in 1974 from the Portuguese ex-colony Angola, is a defining moment that is reflected in her work. Therefore, the book O Retorno (2011) and the postcolonial thematic are also addressed in the dissertation. In texts where memory and invention merge, memories of the author's childhood are evoked. These “places of memory” and the relevance of childhood in the writing of the self will be studied. Metaliterary reflections and the determination to become a writer are frequent in these texts. From this perspective, it is proposed a look at the genesis of writing and its fictionalization.