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Desenho e teatralidade : o gesto como repetição singular

2017-10-26Tese de doutoramento Acesso aberto
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datacite.subject.fosBelas Artes - Especialidade de Desenhopt_PT
dc.contributor.advisorJacinto, João, 1966-
dc.contributor.authorTengarrinha, João, 1970-
dc.date.accessioned2018-05-24T16:05:00Z
dc.date.available2018-05-24T16:05:00Z
dc.date.issued2017-10-26
dc.date.submitted2018-05-24
dc.description.abstractThis theoretico-practical thesis is centered on the production of two bodies of practical work, which have been translated into distinct exhibitions. The first one took place in 2010 in Fundação Carmona e Costa. The second one took place in Parkour exhibition space in 2014. In the reflection about these two bodies of work, the theoretical dimension decomposes the creative process, gradually approaching its decisive instant, the instant before the pencil touches the paper. Taking the event, as search for the real, as a point of departure, we analyze and historically frame the concrete creative behavior, concluding that it contains an apparently unsurpassable duality: a sensitive dimension and an active dimension, between which there seems to be no communication. Theatricality then emerges as a specific behavior permitting to surpass that inherent contradiction of the creative processpt_PT
dc.identifier.tid101326912pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/33649
dc.language.isoporpt_PT
dc.subjectDesenhopt_PT
dc.subjectTeatralidadept_PT
dc.subjectCriaçãopt_PT
dc.subjectAcontecimentopt_PT
dc.subjectRealidadept_PT
dc.titleDesenho e teatralidade : o gesto como repetição singularpt_PT
dc.typedoctoral thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typedoctoralThesispt_PT
thesis.degree.nameTese de doutoramento, Belas Artes - Especialidade de Desenho, Universidade de Lisboa, Faculdade de Belas Artes, 2018pt_PT

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