Publication
Música e imagem na era do streaming: o design de comunicação perante os epifenómenos pós-digitais no consumo de música
| datacite.subject.fos | Humanidades::Artes | pt_PT |
| dc.contributor.advisor | Gonçalves, Sandra Sofia Figueiredo | |
| dc.contributor.author | Martins, Rui Pedro Lopes Brizida | |
| dc.date.accessioned | 2021-01-22T10:55:55Z | |
| dc.date.available | 2021-01-22T10:55:55Z | |
| dc.date.issued | 2020-10-30 | |
| dc.description.abstract | This research starts from epiphenomena resulting from the technological hyperconversion of music consumption habits in the post-digital era, for the identification of reception and image production trends for music. In the first part, the social implications of the overlapping of mobile audio reproduction devices are identified, such as the routinization and privatization of listening to music, and also of streaming platforms in music discovery, as algorithmic systems that generate individual content counselling playlists. The second part is directed to the identification of phenomena around the production of visual content for music. The contribution of the democratization of image production tools to the existence of the self-taught user-producer is analysed, the thumbnail format is considered as a closed space on protocol platforms and, finally, a possible programmatic approach to the design practice is pointed out, which suggests that the designer may become a systems programmer whose authorial feature involves defining the parameters on which these systems are based. The research culminates in a practical project, the Soma web platform - plataforma-soma.pt - which is an archive of original interviews with musicians, designers, editors, and others whose practice focuses on exploring the relationships between music and image. The promotion and publication of these interviews, collected using individualized scripts whose guidelines cross the practice of the selected actors with the personal analysis of subjects referred to in the research, is expected to add a relevant contribution to the discussion of the theme of the image for music in the present. | pt_PT |
| dc.identifier.tid | 202576078 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/45900 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Satie, Erik, 1866-1925 | pt_PT |
| dc.subject | Milhaud, Darius, 1892-1974 | pt_PT |
| dc.subject | Furtado, Paulo | pt_PT |
| dc.subject | Olaio, António, 1963- | pt_PT |
| dc.subject | Gomes, Luis Clara | pt_PT |
| dc.subject | Monteiro, Joana Paes de Faria, 1976- | pt_PT |
| dc.subject | Design de comunicação | pt_PT |
| dc.subject | Música | pt_PT |
| dc.subject | Pós-digital | pt_PT |
| dc.subject | Streaming | pt_PT |
| dc.subject | Plataforma Soma | pt_PT |
| dc.subject | Projeto Every Noise At Once | pt_PT |
| dc.subject | Estudos de caso | pt_PT |
| dc.title | Música e imagem na era do streaming: o design de comunicação perante os epifenómenos pós-digitais no consumo de música | pt_PT |
| dc.type | master thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | masterThesis | pt_PT |
| thesis.degree.name | Dissertação de Mestrado, Design de Comunicação, Universidade de Lisboa, Faculdade de Belas Artes, 2020 | pt_PT |