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Abstract(s)
Atualmente, a margem urbana faz parte da cidade e os seus habitantes tornaram-se uma parte importante da população urbana. Quando rompem as barreiras e entram na cena literária, a imagem desse espaço deixa de ser escrita por outros e começa a mudar. Neste trabalho, analisamos as imagens das margens urbanas na Literatura Brasileira desde o início do século XX até ao início do século XXI. Escolhemos cinco obras de autores relevantes e de diferentes períodos, que apresentam nas suas obras diversas imagens literárias das margens urbanas e da cultura única desse espaço. As obras analisadas são: Capitães da areia (1937), de Jorge Amado; Quarto de despejo (1960), de Carolina de Jesus; Cidade de Deus (2018), de Paulo Lins; Becos da Memória (2017), de Conceição Evaristo; O Sol na Cabeça (2018), de Geovani Martins. Através do estudo dessas obras, procurámos construir e analisar criticamente uma imagem literária completa e diversa das margens urbanas.
Today, the urban margin is part of the city and its inhabitants have become an importante part of the urban population. When they break barriers and enter the literary scene, the image of the space is no longer written by others and begins to change. In this work, we will analyze the images of urban margins in Brazilian Literature from the early 20th century to the early 21st century. We have chosen five works by relevant authors from different periods, whose works present different literary images of the urban margins and the unique culture of this space. The works analyzed are Capitães da Areia (1937) by Jorge Amado; Quarto de Despejo (1960) by Carolina de Jesus; Cidade de Deus (2018) by Paulo Lins; Becos da Memória (2017) by Conceição Evaristo; and O Sol na Cabeça (2018) by Geovani Martins. We sought to construct and critically analyze a complete and diverse literary image of the urban margins.
Today, the urban margin is part of the city and its inhabitants have become an importante part of the urban population. When they break barriers and enter the literary scene, the image of the space is no longer written by others and begins to change. In this work, we will analyze the images of urban margins in Brazilian Literature from the early 20th century to the early 21st century. We have chosen five works by relevant authors from different periods, whose works present different literary images of the urban margins and the unique culture of this space. The works analyzed are Capitães da Areia (1937) by Jorge Amado; Quarto de Despejo (1960) by Carolina de Jesus; Cidade de Deus (2018) by Paulo Lins; Becos da Memória (2017) by Conceição Evaristo; and O Sol na Cabeça (2018) by Geovani Martins. We sought to construct and critically analyze a complete and diverse literary image of the urban margins.