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Produção linguística nos novos media e nos media tradicionais : cobertura mediática da morte da Rainha Isabel II pelo Jornal Público
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A presente dissertação analisa o modo como a linguagem utilizada nas
plataformas digitais tem vindo a modificar-se, adaptando-se às mesmas, e de que forma
é que esta alteração não só se distingue dos meios de comunicação tradicionais, mas
também os afeta.
Por acréscimo, são exploradas as principais diferenças entre ambas as formas de
linguagem – amadora e profissional –, e o contexto de utilização das mesmas – formal e
informal –, bem como a adaptação que tem vindo a ser requerida aos media já existentes.
Para ilustrar os pontos mencionados é utilizado como caso de estudo o jornal
Português Público, nomeadamente a cobertura mediática a respeito da morte de Rainha
Isabel II, a 8 de setembro de 2022. Aqui, é utilizada uma amostragem previamente
estabelecida, e que corresponde ao conteúdo publicado, sobre a Monarca, nos 11 dias que
medeiam o falecimento e o funeral de Sua Majestade, a 19 de setembro de 2022.
Neste sentido, o objetivo é recolher dados, analisar os mesmos e compreender,
com o recurso adicional de uma entrevista semiestruturada a um jornalista do Público, a
forma como o jornal explora este conteúdo na sua plataforma física, isto é, o jornal
impresso, por oposição ao tipo de linguagem utilizada na partilha da mesma matéria nos
seus espaços virtuais, nomeadamente nas redes sociais digitais Facebook, Instagram,
TikTok, Twitter e no seu Website.
Para esta análise, a contribuição de vários teóricos da área, como Grossberg, Santaella e Kress, é crucial.
This dissertation analyzes how the language used in digital platforms has been changing, adapting to them, and how this change not only distinguishes from traditional media, but also affects them. In addition, the main differences between both forms of language – amateur and professional – and the context of their use – formal and informal – are explored, as well as the adaptation that has been required to existing media. To illustrate the points mentioned, the Portuguese newspaper Público is used as a case study, mainly its media coverage of the death of Queen Elizabeth II, on the 8th of September of 2022. Here, a previously established sample is used, which corresponds to the content published in the 11 days that mediate her Majesty's death and funeral, on the 19th of September of 2022. In this sense, the objective is to collect data, analyze it and understand, also recurring to a conducted interview to a journalist, how Público shares this content on its physical platform, that is, the printed newspaper, as opposed to the type of language used in the sharing of the same matter in its virtual spaces, namely the social media Facebook, Instagram, TikTok, Twitter and its Website. For this analysis, the theoretical contribution of several researchers in the field, such as Grossberg, Santaella and Kress, is crucial.
This dissertation analyzes how the language used in digital platforms has been changing, adapting to them, and how this change not only distinguishes from traditional media, but also affects them. In addition, the main differences between both forms of language – amateur and professional – and the context of their use – formal and informal – are explored, as well as the adaptation that has been required to existing media. To illustrate the points mentioned, the Portuguese newspaper Público is used as a case study, mainly its media coverage of the death of Queen Elizabeth II, on the 8th of September of 2022. Here, a previously established sample is used, which corresponds to the content published in the 11 days that mediate her Majesty's death and funeral, on the 19th of September of 2022. In this sense, the objective is to collect data, analyze it and understand, also recurring to a conducted interview to a journalist, how Público shares this content on its physical platform, that is, the printed newspaper, as opposed to the type of language used in the sharing of the same matter in its virtual spaces, namely the social media Facebook, Instagram, TikTok, Twitter and its Website. For this analysis, the theoretical contribution of several researchers in the field, such as Grossberg, Santaella and Kress, is crucial.