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Missões estéticas de férias : estética, academia e política numa iniciativa de formação artística do Estado Novo
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| 112.03 KB | JPEG | |||
| Tese | 3.66 MB | Adobe PDF | ||
| Anexo 1-fortuna critica-jornais-revistas-FINAL | 35.7 MB | Adobe PDF | ||
| Anexo 2-catálogos-relatorios | 16 MB | Adobe PDF | ||
| Anexo 3 - Legislacao | 11.5 MB | Adobe PDF |
Orientador(es)
Resumo(s)
The Missões Estéticas de Férias were an yearly artistic residency program created in the second half of the 1930s decade for art students who wished to develop an artistic project during the summer months in a given Portuguese city or region of acknowledged patrimonial or cultural interest. Selected on the basis of academic merit by the organs of the recently re-founded National Arts Academy (Academia Nacional de Belas Artes - ANBA), its aim was to promote the formation of a cultural elite within the context of an ambitious political, academic and aesthetic vision with which the Estado Novo regime meant to stake its claim on the cultural sphere. The choice of this case study emerged from a personal interest in themes connected with the functions of the studio as the locus of artistic practice, and its role in reflections upon how the group of agents revolving around the cultural sphere - producers, curators, commentators, collectors and public – reposition themselves in particular configurations according to particular historic, political, economic and social junctures, to form specific features of a given art system. Thus, the present investigation aims to clarify the multifaceted nature of the Missões Estéticas de Férias, identifying and relating the diversity of its underlying dimensions – not merely the artistic, curatorial, academic or aesthetic, but also the political, social and economic. The reason for this holistic approach to is explained precisely due to the permanent intertwining of the different spheres in this case study; specifically in the relationship that arises between the idea of political anesthetization which the Estado Novo regime sought to carry out though a cultural program which became known as its Policy of the Sprit. In the case in point, such a relationship was intimately connected to the education (and indeed indoctrination) and of a group of arts students who fit the profile of a “cultural elite”, conceived as a vehicle to carry out the broader goal of building and disseminating the idea of a nationalist art. Ultimately, this work is meant to provide a broad view on a project that accompanied the evolution of a political regime – specifically in terms of its action in the cultural sphere – thus providing a detailed and longitudinal study of a program that spanned almost there decades
Descrição
Palavras-chave
Academia Nacional de Belas Artes Missões Estéticas de Férias Formação artística Ateliers Estado Novo