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As Cores de Ruben A.: o processo de escrita de «Verde» e «Pardos»
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A presente tese tem como objetivo testar uma tipologia de emendas que ainda só foi aplicada à obra de Camilo Castelo Branco e caracterizar o processo criativo de Ruben A.. Como tal, procedeu-se à análise genética de dois contos do autor, «Verde» e «Pardos», que ainda não foram estudados e que demonstram que, de facto, a tipologia de emendas utilizada pode ser aplicada a Ruben A., embora precise de ser ampliada para uma análise genética mais abrangente.
The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis.
The current dissertation has the objective of testing the typology of errors that has only been applied to the work of Camilo Castelo Branco and characterize the creative process of Ruben A.. Therefore, a genetic analysis was carried out of two short stories by the author, «Verde» and «Pardos», that haven’t yet been studied and that evidence that, as a matter of fact, the typology of errors used can be applied to all authors, even though it needs to be expanded to further a comprehensive analysis.