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Abstract(s)
O presente trabalho traz um estudo sobre como o corpo masculino pode ser um forte meio de uma expressão que rompe paradigmas e ultrapassa margens de estereótipos heteronormativos. Nesta toada, a subversão se mostra como um conceito a ser detalhado e correlacionado à educação e com uma moda que apresenta um cenário disruptivo para a leitura do corpo masculino e do quanto isto desencadeia alterações sociais. Dessa maneira, faz-se um ensaio sobre a subversão, explorando os conceitos teóricos que envolvem nudez, arte e corpo. Ademais, é realizado um apanhado de artistas visuais e exposição do corpo como uma expressão subversiva, assim como das campanhas e desfiles de designers de moda que exemplificam a expressão. Recorre-se, adicionalmente, a notícias e reações a esses exemplos na crítica e nos meios de comunicação, bem como discute interseções profundas entre gênero e sexualidade, debatendo a relação do nu masculino com a moda. Através desse debate, procura-se localizar exemplos no tempo e no espaço e entender o seu impacto e a motivação do lado dos designers de moda. Por fim, busca-se compreender a importância dessas interseções no seu potencial de libertação de normas e estereótipos constritores da expressão criativa.
This work presents a study about how the male body can be a strong way of expression that breaks paradigms and goes beyond the margins of heteronormative stereotypes. Therefore, subversion is shown as a concept to be detailed and correlated with education and with a fashion that presents a disruptive scenario for the reading of the male body and how much this triggers social changes. In this way, it is made an essay about subversion, exploring the theoretical concepts that involve nudity, art and the body. In addition, it is also carried out an overview of visual artists and exposure of the body as a subversive expression, as well as the campaigns and fashion shows of fashion designers that exemplify the expression. Furthermore, news and reactions to these examples in the critics and the media are used, along with the profound intersections between gender and sexuality, debating the relationship between the male nude and fashion. Through this debate, we try to locate examples in time and space and understand their impact and motivation by fashion designers. In conclusion, we seek to understand the importance of these intersections in their potential to release norms and stereotypes that constrict creative expression.
This work presents a study about how the male body can be a strong way of expression that breaks paradigms and goes beyond the margins of heteronormative stereotypes. Therefore, subversion is shown as a concept to be detailed and correlated with education and with a fashion that presents a disruptive scenario for the reading of the male body and how much this triggers social changes. In this way, it is made an essay about subversion, exploring the theoretical concepts that involve nudity, art and the body. In addition, it is also carried out an overview of visual artists and exposure of the body as a subversive expression, as well as the campaigns and fashion shows of fashion designers that exemplify the expression. Furthermore, news and reactions to these examples in the critics and the media are used, along with the profound intersections between gender and sexuality, debating the relationship between the male nude and fashion. Through this debate, we try to locate examples in time and space and understand their impact and motivation by fashion designers. In conclusion, we seek to understand the importance of these intersections in their potential to release norms and stereotypes that constrict creative expression.
Description
Keywords
Moda subversiva Moda masculina Expressão Subversiva Corpo Subversivo Corpo masculino Androginia Heteronormatividade
Pedagogical Context
Citation
Publisher
Faculdade Arquitetura, Universidade Lisboa