O Amanhã é como se fosse ontem e todos os dias são iguais - O absurdo: o humor, o acaso e o nada

Abstract

This dissertation consists of an investigation into the concept of the Absurd, with its focal point on informing about the themes, ideas, concepts, and methodologies that form my artistic practice and way of thinking. Consequently, it is structured in two parts: firstly, a theoretical investigation of the Absurd, contextualizing and deconstructing it through the analysis of its languages and formats. Secondly, my practical work is addressed - my artistic production, which draws upon, materializes, and shapes the information established in the theoretical component. I emphasize that these two components inform one another without overshadowing each other, engaging in a dialogue that creates an argument born from their convergence. In both instances, the Absurd is understood as a vital element of artistic production, anchoring it in a creation that reflects the human experience. This analysis positions the theme in question as an act of consequence or response rather than as an attempt to evade an absurd condition. Fundamentally, through this document and my artistic project, it is presented a possible perspective on how we might coexist with this condition without losing ourselves in the vastness of the universe