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Nos últimos anos, tem sido notório o aumento do interesse em recorrer a tipos de letra personalizados para a identidade visual de empresas, instituições, eventos ou publicações. São utilizados como um meio para conferir destaque, individualidade e carÔter a uma marca. Além disso, a comunicação através de uma estratégia de identidade visual coesa e coerente com os valores da marca é fundamental para a sua perceção exterior.
A presente investigação tem como objeto de estudo a atual identidade visual da Faculdade de Arquitetura da Universidade de Lisboa, uma vez que a marca carece de personalidade, tanto no que se refere ao sĆmbolo, como ao logótipo, identificando-se, na sua estratĆ©gia de comunicação, a falta de um programa de identidade visual consistente, o que resulta numa comunicação visual incoerente e pouco apelativa. Considerando a possĆvel mudanƧa da sua designação para Faculdade de Arquitetura, Urbanismo e Design, propƵe-se a reformulação da identidade, estabelecendo-se como objetivo principal o desenvolvimento de um tipo de letra personalizado para a identidade, de modo a traduzir os seus valores e a representar todas as Ć”reas disciplinares da Faculdade, e nĆ£o apenas a Ć”rea da Arquitetura, como acontece atualmente.
De modo a cumprir os objetivos estabelecidos, a investigação foi sustentada por uma metodologia mista ā dominantemente de base qualitativa ā recorrendo a mĆ©todos como a revisĆ£o da literatura, entrevistas e anĆ”lise de projetos de referĆŖncia, seguidos do desenvolvimento projetual.
Com a conclusĆ£o da investigação, e tendo como ponto de partida o tipo de letra desenhado, foi possĆvel desenvolver um sistema de identidade visual coeso, versĆ”til, coerente com a atualidade e transversal Ć s vĆ”rias Ć”reas disciplinares, promovendo uma melhoria na perceção exterior da Faculdade, o que contribuirĆ” para o seu destaque entre concorrentes, atraindo novos estudantes e contribuindo para o futuro profissional dos ex-alunos.
In recent years, there has been a noticeable increase in interest in the use of custom typefaces for the visual identity of companies, institutions, events or publications. They are used as a means of giving brands prominence, individuality and character. In addition, communication through a cohesive visual identity strategy that is coherent with the brandās values is fundamental to its external perception. The object of this research is the current visual identity of the Lisbon School of Architecture, since the brand lacks personality, both in terms of the symbol as well as the logo, and revealing the lack of a consistent visual identity program in its communication strategy, which results in an incoherent and unappealing visual communication. Considering the possible change of name to Lisbon School of Architecture, Urbanism and Design, we propose a reformulation of the identity, with its main objective being the development of a custom typeface for the identity, in order to translate its values and represent all the disciplinary areas of the Faculty, and not just the area of Architecture, as is currently the case. In order to meet the established objectives, the research was supported by a mixed methodology ā predominantly qualitative ā using methods such as literature review, interviews and analysis of reference projects, followed by project development. With the conclusion of the research, and having the designed typeface as a starting point, it was possible to develop a cohesive, versatile visual identity system, consistent with current times and transversal to the various disciplinary areas, promoting an improvement in the Facultyās public perception, which will contribute to its standing out among competitors, attracting new students and contributing to the professional future of alumni.
In recent years, there has been a noticeable increase in interest in the use of custom typefaces for the visual identity of companies, institutions, events or publications. They are used as a means of giving brands prominence, individuality and character. In addition, communication through a cohesive visual identity strategy that is coherent with the brandās values is fundamental to its external perception. The object of this research is the current visual identity of the Lisbon School of Architecture, since the brand lacks personality, both in terms of the symbol as well as the logo, and revealing the lack of a consistent visual identity program in its communication strategy, which results in an incoherent and unappealing visual communication. Considering the possible change of name to Lisbon School of Architecture, Urbanism and Design, we propose a reformulation of the identity, with its main objective being the development of a custom typeface for the identity, in order to translate its values and represent all the disciplinary areas of the Faculty, and not just the area of Architecture, as is currently the case. In order to meet the established objectives, the research was supported by a mixed methodology ā predominantly qualitative ā using methods such as literature review, interviews and analysis of reference projects, followed by project development. With the conclusion of the research, and having the designed typeface as a starting point, it was possible to develop a cohesive, versatile visual identity system, consistent with current times and transversal to the various disciplinary areas, promoting an improvement in the Facultyās public perception, which will contribute to its standing out among competitors, attracting new students and contributing to the professional future of alumni.
Descrição
Palavras-chave
identidade visual design de tipos de letra tipos de letra personalizados Faculdade de Arquitetura da Universidade de Lisboa visual identity typeface design custom typefaces Lisbon School of Architecture
Contexto Educativo
Citação
Editora
Faculdade Arquitetura, Universidade Lisboa
