| Name: | Description: | Size: | Format: | |
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| 24.85 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Neste projeto, através da análise de um caderno de autor inédito (ANSA-C-3 e ANSA-C-25 no Arquivo
Almada Negreiros e Sarah Affonso), pretende-se descrever o modo como Almada Negreiros entendia
e desenvolvia resultados de geometria, apropriando-se e manipulando a linguagem e narrativa
matemáticas para a construção da sua obra. Neste caderno, Almada apresenta, de forma organizada e
cumulativa, desenhos geométricos que constituem um discurso geométrico coerente, seguindo regras
por si estabelecidas, levando por vezes à produção de resultados geométricos originais.
In this project, through the analysis of an unpublished author’s notebook (ANSA-C-3 and ANSA-C-25 in the Almada Negreiros and Sarah Affonso Archive), the aim is to describe how Almada Negreiros understood and developed results in geometry, appropriating and manipulating mathematical language and narrative for the construction of his work. In this notebook, Almada presents, in an organized and cumulative manner, geometric drawings that constitute a coherent geometric discourse, following rules he established, sometimes even leading to the production of original geometric results.
In this project, through the analysis of an unpublished author’s notebook (ANSA-C-3 and ANSA-C-25 in the Almada Negreiros and Sarah Affonso Archive), the aim is to describe how Almada Negreiros understood and developed results in geometry, appropriating and manipulating mathematical language and narrative for the construction of his work. In this notebook, Almada presents, in an organized and cumulative manner, geometric drawings that constitute a coherent geometric discourse, following rules he established, sometimes even leading to the production of original geometric results.
Description
Tese de Mestrado, História e Filosofia das Ciências, 2025, Universidade de Lisboa, Faculdade de Ciências
Keywords
Geometria Arte Matemática Desenho Cânone Teses de mestrado - 2025