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Abstract(s)
Este artículo pretende examinar el trabajo del artista y escritor de neo-vanguardia Hélio Oiticica (Rio de Janeiro, 1937–1980), cuya obra fue vista en su época (y también en nuestros días) como una de las posibles vías para construir otro tipo de neo-vanguardia brasileña: más inconveniente y más libertaria que aquella que corresponde a la visión consensual y excluyente de la Neo-vanguardia tout court (o sea, la de los movimientos artísticos y literarios del concretismo y del neo-concretismo). Así, el artículo pretende, por una parte, ofrecer una visión panorámica de la obra de Hélio Oiticica, evaluando las opciones temáticas y los procedimientos literarios y artísticos del autor. Además, pretendemos realizar un análisis crítico de las especificidades y las contribuciones de la obra Newyorkaises (Conglomerado), del heterodoxo y rompedor artista carioca, en la confluencia de diversas formas artísticas e hibridaciones genéricas.nPor último, también analizaremos la enciclopedia cultural del pensum literario, plástico y musicalnque subyace a esta escritura experimental y el modo visualista, (neo) vanguardista y contraculturalnque lo preside.
This article focuses on the work of the neo-avant-garde artist and writer Hélio Oiticica (Rio de Janeiro, 1937 1980), whose work was seen at the time (and nowadays) as one of the possible ways to build another kind of Brazilian Neo-avant-garde and that is at the core of this present study: a different kind of Neo avant-garde that would be more inconvenient and more libertarian than that which corresponded to the consensual and cliquish ideas found in Brazilian Neo-avant-garde tout court (i.e. the concrete and neo-concrete art and literary movements). In this respect, the article aims, on the one hand, to give an overview of Hélio Oiticica’s work, evaluating thematic choices and literary and artistic procedures. Also, I carry out an evaluative analysis of the specificities and the contributions of this Rio de Janeiro artist’s unorthodox and groundbreaking Newyorkaises (Conglomerado), at the crossroads of different art forms and generic hybridization. Finally, I also examine the cultural encyclopaedia of the literary, plastic and musical pensum that lies behind this experimental writing and the visualist, (neo)avantgardist and countercultural mode it obeys.
This article focuses on the work of the neo-avant-garde artist and writer Hélio Oiticica (Rio de Janeiro, 1937 1980), whose work was seen at the time (and nowadays) as one of the possible ways to build another kind of Brazilian Neo-avant-garde and that is at the core of this present study: a different kind of Neo avant-garde that would be more inconvenient and more libertarian than that which corresponded to the consensual and cliquish ideas found in Brazilian Neo-avant-garde tout court (i.e. the concrete and neo-concrete art and literary movements). In this respect, the article aims, on the one hand, to give an overview of Hélio Oiticica’s work, evaluating thematic choices and literary and artistic procedures. Also, I carry out an evaluative analysis of the specificities and the contributions of this Rio de Janeiro artist’s unorthodox and groundbreaking Newyorkaises (Conglomerado), at the crossroads of different art forms and generic hybridization. Finally, I also examine the cultural encyclopaedia of the literary, plastic and musical pensum that lies behind this experimental writing and the visualist, (neo)avantgardist and countercultural mode it obeys.
Description
Keywords
Hélio Oiticica Neo-vanguardia Contracultura Brasil Escritura Neo-avant-garde Counterculture Brazil Writing
Pedagogical Context
Citation
Martínez Teixeiro, A. (2020). Hélio Oiticica y la blanca singularidad simultánea de Newyorkaises. Estudios Filológicos, (66), 93–112. https://doi.org/10.4067/s0071-17132020000200093
Publisher
Facultad de Filosofía y Humanidades de la Universidad Austral de Chile