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A luz, cor e matéria no projeto de reabilitação
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Resumo(s)
A cidade tal como a conhecemos, é fruto de uma constante e contínua mudança ao longo dos séculos. Por essa razão e para se intervir no território, a arquitetura deve ser pensada e projetada tendo em conta os aspetos sociais, económicos e culturais dos usufrutos do local e os novos paradigmas da atualidade. Todavia, é visível na cidade a presença de edifícios e vazios urbanos degradados devido ao processo de desindustrialização que se deu em Lisboa em meados da década de 80 do século XX. Após quarenta anos nada se alterou e estes espaços deixaram de se tornar lugares.
Marcada pela memória industrial, Marvila mostra um cenário de oportunidade e um potencial para estes espaços receberem novos usos, dando-lhes uma nova vida. Neste sentido, como forma de promover o local e como estratégia de integração social é proposto, através da reabilitação desenvolvida sobre conceitos de luz, cor e matéria, um equipamento cultural aliado a residências temporárias para artistas.
Este edifício articula um programa cultural e artístico capaz de criar novas relações entre a comunidade e novas pessoas, numa época em que o fenómeno da globalização e os recursos tecnológicos que se dispõe há cada vez mais possibilidade e oportunidade de trocar conhecimentos e experiências.
The city as we know it is the result of constant and continuous change over the centuries. For this reason and to intervene in the territory, architecture must be thought and projected taking into account the social, economic and cultural aspects of the usufruct of the place and the new paradigms of today. However, it is visible in the city the presence of degraded buildings and urban voids due to the de-industrialization process that took place in Lisbon in the mid-80s. of the twentieth century. After forty years nothing has changed and these spaces have ceased to become places. Marked by industrial memory, Marvila shows a scenario of opportunity and a potential for these spaces to receive new uses, giving them a new life. In this sense, as a way to promote the place and as a strategy for social integration, it is proposed, through concepts of light, color and matter, a cultural facility equipment allied to temporary residences for artists. This building articulates a cultural and artistic program capable of creating new relationships between the community and new people, at a time when the phenomenon of globalization and the technological resources available to us are increasingly and opportunity to exchange knowledge and experiences.
The city as we know it is the result of constant and continuous change over the centuries. For this reason and to intervene in the territory, architecture must be thought and projected taking into account the social, economic and cultural aspects of the usufruct of the place and the new paradigms of today. However, it is visible in the city the presence of degraded buildings and urban voids due to the de-industrialization process that took place in Lisbon in the mid-80s. of the twentieth century. After forty years nothing has changed and these spaces have ceased to become places. Marked by industrial memory, Marvila shows a scenario of opportunity and a potential for these spaces to receive new uses, giving them a new life. In this sense, as a way to promote the place and as a strategy for social integration, it is proposed, through concepts of light, color and matter, a cultural facility equipment allied to temporary residences for artists. This building articulates a cultural and artistic program capable of creating new relationships between the community and new people, at a time when the phenomenon of globalization and the technological resources available to us are increasingly and opportunity to exchange knowledge and experiences.
Descrição
Palavras-chave
Reabilitação Património industrial Equipamento cultural Habitação temporária
Contexto Educativo
Citação
Editora
Faculdade Arquitetura, Universidade Lisboa