Publication
Rever, o retrato ressignificado
| dc.contributor.author | Gonçalves, Sandra Maria Lúcia Pereira | |
| dc.date.accessioned | 2019-01-09T15:30:43Z | |
| dc.date.available | 2019-01-09T15:30:43Z | |
| dc.date.issued | 2014-01 | |
| dc.description.abstract | The article I present focuses on the work of Brazilian visual artist Rochele Zandavalli (1980), most precisely the series “Review”. This series has the photographic portrait as the main theme. Beyond register-image, the artist proposes a new bottomline to other stories. Therefore the proposition is to think over apropriation and ressignification of the photographic portarit done by Zandavalli in the series “Review”. It is to think the way that the artist potentiates the new in those images, to think the poetics built. Theorical references are Fabris (2004), Barthes (1984), Fatorelli (2003) and Rouillé (2009), as wel as the artist herself (2012) | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | In: Croma. - Lisboa, 2013-. - Vol. 2, nº 3 (Jan./Jun. 2014), p. 103-110 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/36300 | |
| dc.language.iso | por | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes | pt_PT |
| dc.subject | Zandavalli, Rochele, 1980- | pt_PT |
| dc.subject | Arte | pt_PT |
| dc.subject | Fotografia | pt_PT |
| dc.subject | Retrato | pt_PT |
| dc.subject | Ressignificação | pt_PT |
| dc.title | Rever, o retrato ressignificado | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 110 | pt_PT |
| oaire.citation.startPage | 103 | pt_PT |
| oaire.citation.title | Croma | pt_PT |
| oaire.citation.volume | Vol. 2, nº 3 (Jan./Jun. 2014) | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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