Publicação
Design e som: uma exploração de instrumentos musicais acústicos
| datacite.subject.fos | Humanidades::Artes | pt_PT |
| dc.contributor.advisor | Viana, Jose Alberto Almiro | |
| dc.contributor.advisor | Santos, Ana Lia | |
| dc.contributor.author | Cunha, Sílvia Maria Pires | |
| dc.date.accessioned | 2021-03-16T16:10:35Z | |
| dc.date.available | 2021-03-16T16:10:35Z | |
| dc.date.issued | 2020-12-16 | |
| dc.description.abstract | Design has been, throughout its relatively short existence, rarely applied directly to sound. The well known form-function rule has always tended to focus on practical functions, in bringing added value to everyday objects. More recently, with the growing competitivity of markets and the need for products to stand out from each other and try to become better and better, new design fields and methods such as sound design and techniques to analyse user experience while the product as not been bought yet and is still in-store emerge. On the other hand, with the rapid development of digital products, including digital musical instruments, Interaction Design is the Design field that has been most directly involved in the development of new musical instruments to date. The field of Product Design doesn't seem to be frequently involved, although musical instruments are artifacts, and even digital instruments demand a physical interface for input and/or feedback. These fields have been explored to understand in what ways their research can be used in acoustic musical instruments’ design. The physics of sound and common acoustics involved in musical instrument making were studied in order to understand their functioning and collect necessary knowledge. Musical instrument history was also explored, seeking to know why new musical instruments are born, and which factors determine their position as a cultural icon, or otherwise, as an extinct and unheard of musical instrument. Simple instruments were analysed to understand their functioning and project demands. As a way to apply this knowledge, a simple acoustic musical string-instrument was designed. The requirements for this project were to make it easily understandable, easily played with a fast learning curve, with simple shapes. | pt_PT |
| dc.identifier.tid | 202655245 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/46859 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Design | pt_PT |
| dc.subject | Sinestesia | pt_PT |
| dc.subject | Ergonomia | pt_PT |
| dc.subject | Design de produto | pt_PT |
| dc.subject | Design de interação | pt_PT |
| dc.subject | Acústica | pt_PT |
| dc.subject | Instrumentos musicais | pt_PT |
| dc.title | Design e som: uma exploração de instrumentos musicais acústicos | pt_PT |
| dc.type | master thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | masterThesis | pt_PT |
| thesis.degree.name | Dissertação de Mestrado, Design de Equipamento - Especialização em Design de Produto, Universidade de Lisboa, Faculdade de Belas Artes, 2020 | pt_PT |
Ficheiros
Principais
1 - 3 de 3
A carregar...
- Nome:
- ULFBA_TES_SilviaPiresCunha_CAPA.jpg
- Tamanho:
- 990.96 KB
- Formato:
- Joint Photographic Experts Group/JPEG File Interchange Format (JFIF)
A carregar...
- Nome:
- ULFBA_TES_SilviaPiresCunha.pdf
- Tamanho:
- 2.82 MB
- Formato:
- Adobe Portable Document Format
A carregar...
- Nome:
- ULFBA_TES_SilviaPiresCunha_anexos.pdf
- Tamanho:
- 2.05 MB
- Formato:
- Adobe Portable Document Format