Publicação
Acerca de Pindorama de Walter Smetak
| dc.contributor.author | Scarassatti, Marco Antonio Farias | |
| dc.date.accessioned | 2019-03-07T11:51:13Z | |
| dc.date.available | 2019-03-07T11:51:13Z | |
| dc.date.issued | 2016-07 | |
| dc.description.abstract | This article intends to be a study of one of the categories of Walter Smetak’s Sound Sculptures, so-called Collective Instruments. This sets a dialogue with Smetak musical thinking on group improvisation. For him, the musicians involved in improvisation should sound as if they were one instrument. Smetak also thought of improvisation as an intuition development practice as a psychic faculty that would override reason | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | In: Gama. - Lisboa, 2013-. - Vol.4 nº8 (jul./dez. 2016), p. 16-24 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/37338 | |
| dc.language.iso | por | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | Universidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artes | pt_PT |
| dc.subject | Smetak, Walter, 1913.1984 | pt_PT |
| dc.subject | Arte sonora | pt_PT |
| dc.subject | Instrumentos musicais | pt_PT |
| dc.subject | Mitologia | pt_PT |
| dc.subject | Processo criativo | pt_PT |
| dc.subject | Filosofia | pt_PT |
| dc.subject | Teoria da arte | pt_PT |
| dc.subject | Criticismo | pt_PT |
| dc.title | Acerca de Pindorama de Walter Smetak | pt_PT |
| dc.title.alternative | About Pindorama, from Walter Smetak | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 24 | pt_PT |
| oaire.citation.startPage | 16 | pt_PT |
| oaire.citation.title | Gama | pt_PT |
| oaire.citation.volume | Vol.4 nº8 (jul./dez. 2016) | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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