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Iconografia de Aquiles: teatralidade, retórica e comunicação na cerâmica grega dos séculos VI e V a.C.
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Resumo(s)
Este estudo tem como objecto um agrupamento de fotografias de reinvenções de
Aquiles em vasos gregos de figuras dos séculos VI e V a. C. Na segunda metade do século
VI, Atenas liberta-se da influência coríntia e concentra-se na reinvenção dos mitos
privilegiando a figura humana e, no século V, a vitória contra os Persas representou um
acto heróico, enquanto o surgimento da tragédia afirmava o amadurecimento do pensar,
concretizado como género literário singular. No contexto histórico destes cem anos,
analisam-se recriações picturais de Aquiles, a partir de um amplo trabalho de pesquisa e
de selecção de fotografias digitais, identificadas na totalidade e descritas no índice de
figuras, em articulação com o texto com a finalidade de criar uma leitura dinâmica. Com
uma metodologia pluridisciplinar, embora com incidência em conceitos oriundos do
quadro teórico da disciplina de iconografia teatral, concretamente, os conceitos de
“absorção-teatralidade” e de “instant pregnant,” problematizam-se as imagens de
Aquiles, achando nestas objectos autónomos dotados de capacidade discursiva no plano
interdependente das ideias e do léxico. Confrontam-se as reinvenções de Aquiles com
fontes gregas contemporâneas, e também posteriores, dando relevo à écfrase enquanto
verbalização de conteúdos suscitados pelas atitudes corporais de Aquiles. A primeira
parte do estudo dá conta de aspectos nas histórias sobre Aquiles e, mediante uma breve
reflexão sobre a actuação do rapsodo enquanto acto de teatro imaginário e efémero,
associa-os às imagens, preparando a segunda parte, dedicada à análise e à reflexão sobre
reinvenções de Aquiles, organizadas em séries iconográficas fundadas pelo triplo alicerce
da paideia, da caça e do Eros, ligando-se estes mediante manifestações de Dioniso.
The main subject of this study is a group of photographies of Achilles reinventions in Greek figured-vases between VI-V Centuries B.C. In the second half of the VI century Athens becames free of Corinthian influence and concentrates on the reinvention of myths focusing on the human shape; on the V century the victory against the Persians represented an act of heroism, while the upcoming of tragedy affirmed the maturation of thought consolidated as a singular literary genre. Within the context of this centenary we analyse pictorial recriations of Achilles building upon a wide research culminating on a criterious selection of digital photographies which we comment, articulating text and image. From a pluridisciplinary perspective with a main focus on some concepts from within the discipline of theater iconography, namely the concepts of “absorption-theatricallity” and “Instant-pregnant”, we problematize the images of Achilles as autonomous objects with a discoursive capacity which reflects the interdependency of ideas and lexic. We confront the reinventions of Achilles with contemporay and later written sources, distinguishing ekphrasis as verbalization of contents raised by Achilles body attitudes. The first part of the study plans the second part. It falls upon aspects of Achilles stories and is followed by a brief hermeneutical account of the rapsode’s performance as an ephemeral act of theater and imagination, where image is central. The second part of this study is devoted to the commentary of Achilles pictorial recriations organized in sets based upon paideia, hunting and Eros, all linked together by manifestations of Dionysus.
The main subject of this study is a group of photographies of Achilles reinventions in Greek figured-vases between VI-V Centuries B.C. In the second half of the VI century Athens becames free of Corinthian influence and concentrates on the reinvention of myths focusing on the human shape; on the V century the victory against the Persians represented an act of heroism, while the upcoming of tragedy affirmed the maturation of thought consolidated as a singular literary genre. Within the context of this centenary we analyse pictorial recriations of Achilles building upon a wide research culminating on a criterious selection of digital photographies which we comment, articulating text and image. From a pluridisciplinary perspective with a main focus on some concepts from within the discipline of theater iconography, namely the concepts of “absorption-theatricallity” and “Instant-pregnant”, we problematize the images of Achilles as autonomous objects with a discoursive capacity which reflects the interdependency of ideas and lexic. We confront the reinventions of Achilles with contemporay and later written sources, distinguishing ekphrasis as verbalization of contents raised by Achilles body attitudes. The first part of the study plans the second part. It falls upon aspects of Achilles stories and is followed by a brief hermeneutical account of the rapsode’s performance as an ephemeral act of theater and imagination, where image is central. The second part of this study is devoted to the commentary of Achilles pictorial recriations organized in sets based upon paideia, hunting and Eros, all linked together by manifestations of Dionysus.