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Abstract(s)
A presente tese propõe, através da leitura aproximada de A Costa dos murmúrios de Lídia Jorge, As Naus de António Lobo Antunes e Irene ou o contrato social de Maria Velho da Costa hipóteses de configuração literária para uma actualização da memória pós-imperial portuguesa. Conceptualmente orientado pelos conceitos de ficção de memória, nostalgia imperial/nostalgia colonial e cosmopolitismo e, enquadrado teoricamente nas possibilidades do pensamento pós-colonial sobre Portugal no século XXI, o presente trabalho procura reflectir sobre a forma como alguns textos da Literatura Portuguesa Contemporânea problematizam visões unívocas da História contemporânea do país.
Through the close Reading of the novels A Costa dos murmúrios by Lídia Jorge, As Naus by António Lobo Antunes and Irene ou o contrato social by Maria Velho da Costa, the current work aims at offering possibilities of a literary framing of the Portugusese post-imperial memory. Anchored in the concepts of fiction of memory, imperial nostalgia/colonial nostalgia and cosmopolitanism, adding the theories linked to the possibilities of a post-colonial thinking over Portugal in the XXI century, it aims at reflecting on ways through which some texts of contemporary Portuguese literature question single versions of the contemporary Portuguese History.
Through the close Reading of the novels A Costa dos murmúrios by Lídia Jorge, As Naus by António Lobo Antunes and Irene ou o contrato social by Maria Velho da Costa, the current work aims at offering possibilities of a literary framing of the Portugusese post-imperial memory. Anchored in the concepts of fiction of memory, imperial nostalgia/colonial nostalgia and cosmopolitanism, adding the theories linked to the possibilities of a post-colonial thinking over Portugal in the XXI century, it aims at reflecting on ways through which some texts of contemporary Portuguese literature question single versions of the contemporary Portuguese History.
