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O baile das Erínias : um desvelamento escultórico-esquizoanalítico do corpo rotundo em dissidência
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O presente projeto teórico-prático tem como objetivo problematizar a hegemonia da magreza, contextualizando os estigmas e opressões enfrentados por corpos gordos que, ao divergirem da normatividade estética, sofrem com a exclusão e marginalização social. Com base em uma metodologia a/r/t/ográfica, que entrelaça escrita e práticas escultóricas, e através de um mapeamento iconográfico, a investigação examina a fruição ético-estética desses corpos ao longo da História da Arte, por meio de leituras, diálogos e experimentações poéticas imersivas, visando ao desenvolvimento de uma cultura visual que valorize a diversidade e denuncie a violência simbólica e estrutural contra o corpo rotundo. A tese se concretiza em práticas artísticas bi e tridimensionais, através de uma abordagem rizomática que integra Arte e Psicologia, onde explora as possibilidades de acolhimento e alteridade na representação escultórica de corpos dissidentes, propondo estratégias de denúncia e sensibilização. Fundamentado na Esquizoanálise de Deleuze e Guattari (1996), o estudo identifica as linhas de força que constituem a experiência desses corpos, considerando as linhas duras e molares que impõem normas sociais e mantêm uma estrutura opressiva de controle e regulação dos corpos, em contraste com as linhas de fuga e moleculares, que permitem resistência, invenção e transformação da subjetividade. Em diálogo com Georges Vigarello (2021), compreende a construção histórica do corpo gordo, somando-se aos conceitos de “Objeto Parcial” e “Campo Expandido” de Rosalind Krauss (1998) e à Estética Relacional de Nicolas Bourriaud (2009), referências fundamentais para propor uma clínica da criação e experimentação artística. Como resultado prático, o projeto gerou uma série de obras em cerâmica, esmaltadas segundo a técnica da Mancha de Óleo, e em bronze, fundidas por meio da técnica de Cera Perdida. Essas obras culminarão em uma exposição instalativa, prevista para o primeiro semestre de 2025, a ser realizada na Cisterna da Faculdade de Belas Artes da Universidade de Lisboa.
This theoretical-practical project aims to problematize the hegemony of thinness, contextualizing the stigmas and oppressions faced by fat bodies who, when diverging from aesthetic normativity, suffer from social exclusion and marginalization. Based on an a/r/t/ographic methodology, which intertwines writing and sculptural practices, and through iconographic mapping, the investigation examines the ethical-aesthetic enjoyment of these bodies throughout the History of Art, through readings, dialogues and immersive poetic experiments, aiming to develop a visual culture that values diversity and denounces symbolic and structural violence against the rotund body. The thesis is implemented in two-and three-dimensional artistic practices, through a rhizomatic approach that integrates Art and Psychology, where it explores the possibilities of acceptance and alterity in the sculptural representation of dissident bodies, proposing strategies for denunciation and awareness. Based on the schizoanalysis of Deleuze and Guattari (1996), the study identifies the lines of force that constitute the experience of these bodies, considering the hard and molar lines that impose social norms and maintain an oppressive structure of control and regulation of bodies, in contrast to the lines of flight and molecular, which allow resistance, invention and transformation of subjectivity. In dialogue with Georges Vigarello (2021), it understands the historical construction of the fat body, adding to the concepts of “Partial Object” and “Expanded Field” by Rosalind Krauss (1998) and the Relational Aesthetics of Nicolas Bourriaud (2009), references fundamental to propose a clinic for artistic creation and experimentation. As a practical result, the project generated a series of ceramic works, glazed using the Oil Stain technique, and bronze, cast using the Lost Wax technique. These works will culminate in an exhibition, scheduled for the first half of 2025, to be held at the Cistern of the Faculty of Fine Arts of the University of Lisbon.
This theoretical-practical project aims to problematize the hegemony of thinness, contextualizing the stigmas and oppressions faced by fat bodies who, when diverging from aesthetic normativity, suffer from social exclusion and marginalization. Based on an a/r/t/ographic methodology, which intertwines writing and sculptural practices, and through iconographic mapping, the investigation examines the ethical-aesthetic enjoyment of these bodies throughout the History of Art, through readings, dialogues and immersive poetic experiments, aiming to develop a visual culture that values diversity and denounces symbolic and structural violence against the rotund body. The thesis is implemented in two-and three-dimensional artistic practices, through a rhizomatic approach that integrates Art and Psychology, where it explores the possibilities of acceptance and alterity in the sculptural representation of dissident bodies, proposing strategies for denunciation and awareness. Based on the schizoanalysis of Deleuze and Guattari (1996), the study identifies the lines of force that constitute the experience of these bodies, considering the hard and molar lines that impose social norms and maintain an oppressive structure of control and regulation of bodies, in contrast to the lines of flight and molecular, which allow resistance, invention and transformation of subjectivity. In dialogue with Georges Vigarello (2021), it understands the historical construction of the fat body, adding to the concepts of “Partial Object” and “Expanded Field” by Rosalind Krauss (1998) and the Relational Aesthetics of Nicolas Bourriaud (2009), references fundamental to propose a clinic for artistic creation and experimentation. As a practical result, the project generated a series of ceramic works, glazed using the Oil Stain technique, and bronze, cast using the Lost Wax technique. These works will culminate in an exhibition, scheduled for the first half of 2025, to be held at the Cistern of the Faculty of Fine Arts of the University of Lisbon.
Descrição
Tese de doutoramento, Belas-Artes, na especialidade de Escultura, 2026, Universidade de Lisboa, Faculdade de Belas-Artes
Palavras-chave
Erinyes Dissident bodies Sculpture Schizoanalysis Diversity Erínias Corpos dissidentes Escultura Esquizoanálise Diversidade