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O corpo feminino como espaço da escultura : ritos, símbolos e performance
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Resumo(s)
O corpo é o primeiro meio de representação que moldamos. É também, conforme Le Breton, o último receptáculo de si: território ao qual são impostos condicionamentos sociais e culturais, mas também o espaço onde se encontra a possibilidade de liberdade. Ao reivindicar o poder de escolha sobre o próprio corpo, escolhe-se também o que se veste e o que se revela através dele. Este projeto propõe um diálogo entre o corpo humano — com foco no corpo feminino — e a Escultura, explorando a dimensão simbólica e ritual presente no ato de vestir o objeto escultórico. Mais do que um objeto fixo sustentado por um plinto, a escultura aqui é ativada pelo corpo vivo. A pesquisa, de caráter teórico-prático, investiga o modo como a forma escultórica, quando posta no espaço do corpo, adquire potência simbólica e performativa. O corpo humano que sustenta a forma traz consigo uma história pessoal e coletiva e a escultura, ao encontrar esse corpo, abre espaço para múltiplas narrativas e interpretações. Ainda, há uma dimensão onde são criadas imagens performáticas que capturam o momento ritual onde a escultura é vestida, sendo, então, mais um desdobramento da prática escultórica.
The body is the first medium of representation that we shape. It is also, as stated by Le Breton, the ultimate vessel of the self: a territory upon which social and cultural conditionings are imposed, but also the space where the possibility of freedom resides. By reclaiming the power of choice over one’s own body, one also chooses what to wear and what to reveal through it. This project proposes a dialogue between the human body — focusing on the female body — and Sculpture, exploring the symbolic and ritual dimension present in the act of wearing the sculptural object. More than a fixed object sustained by a plinth, the sculpture here is activated by the living body. This theoretical and practical research investigates how the sculptural form, when placed in the space of the body, acquires symbolic and performative power. The human body that supports the form carries both a personal and collective history, and the sculpture, upon encountering this body, opens space for multiple narratives and interpretations. Furthermore, there is a dimension in which performative images are created, capturing the ritual moment when the sculpture is worn — thus becoming yet another unfolding of the sculptural practice.
The body is the first medium of representation that we shape. It is also, as stated by Le Breton, the ultimate vessel of the self: a territory upon which social and cultural conditionings are imposed, but also the space where the possibility of freedom resides. By reclaiming the power of choice over one’s own body, one also chooses what to wear and what to reveal through it. This project proposes a dialogue between the human body — focusing on the female body — and Sculpture, exploring the symbolic and ritual dimension present in the act of wearing the sculptural object. More than a fixed object sustained by a plinth, the sculpture here is activated by the living body. This theoretical and practical research investigates how the sculptural form, when placed in the space of the body, acquires symbolic and performative power. The human body that supports the form carries both a personal and collective history, and the sculpture, upon encountering this body, opens space for multiple narratives and interpretations. Furthermore, there is a dimension in which performative images are created, capturing the ritual moment when the sculpture is worn — thus becoming yet another unfolding of the sculptural practice.
Descrição
Dissertação de mestrado, Escultura, 2026, Universidade de Lisboa, Faculdade de Belas-Artes
Palavras-chave
Sculpture Body Feminine Ritual Performance Symbol Escultura Corpo Feminino Rito Performance Símbolo