Publicação
A Irmandade de São Lucas e as suas ligações ao Convento feminino da Anunciada
| datacite.subject.fos | Ciências da Arte | pt_PT |
| datacite.subject.fos | Belas-Artes | pt_PT |
| dc.contributor.advisor | Calado, Margarida, 1947- | |
| dc.contributor.author | Mendonça, Maria do Céu de Oliveira Neto de Carvalho | |
| dc.date.accessioned | 2019-01-22T11:46:04Z | |
| dc.date.available | 2019-01-22T11:46:04Z | |
| dc.date.issued | 2018-10-23 | |
| dc.date.submitted | 2019-01-22 | |
| dc.description.abstract | The present thesis has as an objective the study of the relations among painters and other artists registered in the Saint Lucas Brotherhood (as a free organization of painters), with the Anunciada convent nuns.When in 1602 the painters purchased the chapel to the nuns, to use as headquarters under the Saint Lucas protection, the nuns collaboration on the maintenance of the chapel was established on the contract, without any payment for the service being registered. The Brotherhood grew by, increasing the activities, and in addition to the chapel maintenance and the mass preparation, the nuns were providing other services as the chapel decoration and the confection of cakes for the parties of the Brotherhood. In the year 1712 a contract for the payment of 3.000 reis was set. However, the nuns didn’t just collaborate on the Brotherhood’s daily life but were inscribed as sisters and were elected stewards and presidents. After de Earthquake, there was an hiatus between 1755 and 1777. After this date, several tryouts were made to rebuild the Brotherhood under the aegis of Cyrillo Volkmar Machado whom after 1791 worked with other painters on the writing of a new Compromise. Only in 1793 the painters and the nuns from the Saint Joana Convent renewed the 1602 contract, again delivering the chapel to the Brotherhood to use as headquarters, and where before had been placed the Saint Lucas panel painted by Amaro do Vale and the silver lamp brought over by the nuns of the old convent. The French invasions raised the caos and the Brotherhood didn’t resist. It was over in 1808 | pt_PT |
| dc.identifier.tid | 101272626 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/36618 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Lucas, Santo, séc.1 | pt_PT |
| dc.subject | Vale, Amaro do, 15(?)-1619 | pt_PT |
| dc.subject | Machado, Cirilo Volkmar, 1748-1823 | pt_PT |
| dc.subject | Ordem dos Pregadores. Convento de Nossa Senhora da Anunciada (Lisboa) | pt_PT |
| dc.subject | Irmandade de São Lucas | pt_PT |
| dc.subject | Pintores | pt_PT |
| dc.subject | Aspectos sociais | pt_PT |
| dc.subject | Aspectos etnologicos | pt_PT |
| dc.subject | Compromisso organizacional | pt_PT |
| dc.subject | Arte religiosa | pt_PT |
| dc.subject | Mulheres | pt_PT |
| dc.title | A Irmandade de São Lucas e as suas ligações ao Convento feminino da Anunciada | pt_PT |
| dc.type | doctoral thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | doctoralThesis | pt_PT |
| thesis.degree.name | Tese de doutoramento, Belas-Artes, na Especialidade de Ciências da Arte, 2018 | pt_PT |