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In Situ : ficções de um programa de Pintura contemporânea
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Resumo(s)
Site-specific: Fictions of a contemporary painting program is the title of this theoretical and practical research in Fine Arts (Painting). The research is composed with eleven distinct pictorial installations that link three factors: 1) the site-specific concept applied to painting, 2) positioning / installation of the pictorial object with relevance and adequacy in a given place and 3) the museum as a reference and otherness. Painting as an artistic field delineates, informs and gives form exclusively to these installations: it is prima materia. As determined in this research, the specificity of the pictorial installation questions the multiple types of relationship that the pictorial object can raise through its positioning in several exhibition spaces with distinct architectural typologies. Painting composition agrees with the logic of placing as it gives way to pictorial elements in a formal and conceptual arrangement. The installations either takes a direct reference – in loco – to the museum, with or without its exposed collection, either suggests it from other exhibition spaces. Inside and/or outside the museum these pictorial installations convoke procedures proper to the museum: as storage, classification, cataloguing and diffusion, as a building (architectural morphology), and as a mechanism of institutionalization, a place of legitimacy of the objects displayed. The six pictorial installations that relate indirectly to the museum’s collection seek to answer the question: how can the museum be fictionalized in an exhibition outside its context, using the practice of painting? The five pictorial installations that are directly related to the museum’s collection seek to answer the question: how the site-specific installations that dialogue immediately with the exposed museum’s collection can empower the museum’s discourses and update it? These two groups divide the research in fields titled Fiction the Museum and The Museum as Fiction, merging conceptually and formally in Against the Grain the pictorial installation that has always been on the horizon since the beginning of the research. In conclusion, the registration done with Artist Books is presented as a work itself. As the museum it is a document, a file and a memory of a temporary pictorial
installation
Descrição
Contém: La totalidad impossible. Replay. Playtime. Memorabilia. Gabinete de Curiosidades. Mnemosyne (#1). Un cuerpo estraño. Caleidoscópio. Mnemosyne (#2). In Situ: carta de intenções. Avesso da Norma
Palavras-chave
Pintura In-Situ Instalação (Arte) Museus Ficção