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A luz de Saturno: ensaio sobre a criação : entre o desespero da melancolia e a esperança do Fazer-Tempo
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Resumo(s)
Esta investigação, desenvolvida durante o percurso académico no Mestrado de Pintura na Faculdade de Belas-Artes da Universidade de Lisboa, propõe uma reflexão teórico-prática sobre os sintomas melancólicos associados à necessidade da criação da obra de arte. A estrutura deste trabalho de projeto, intitulado Luz de Saturno, consiste em três momentos principais distintos, tendo ele dois grandes pólos de investigação teórica e um momento em que se destina a expor as obras de autoria própria que integram os projetos desenvolvidos. Na primeira parte, faremos uma breve exposição teórica da extensa história da tradição melancólica na sua relação com a arte, recorrendo ao pensamento de Aristóteles, ao mito de Saturno e à Melencolia I de Albrecht Dürer. Ainda dentro da primeira parte da investigação, resumimos a modernidade da melancolia, o Decadentismo, o Romantismo – usando como exemplo fontes e autores que, por si, já influenciam na produção do caminho prático da obra que constitui a segunda parte deste texto. Na última parte, e depois da apresentação da produção autoral, seremos convidados a refletir sobre a origem da vontade de fazer obra e como poderá isso estar relacionado com a melancolia, dando a conhecer o processo criativo e os hábitos de trabalho que envolvem a experimentação plástica, mais concretamente a pintura, o desenho e a gravura, práticas previamente demonstradas. Deste modo, as preocupações teóricas presentes neste trabalho nascem essencialmente da experiência artística, e são influenciadas paralelamente uma pela outra. Ambas partem de um questionamento permanente perante a dualidade e a durabilidade das coisas, dos materiais, da existência e, por isso, convocam uma reflexão ontológica, na qual se articulam, essencialmente, a Melancolia, a Arte e o Tempo.
This research, developed throughout the academic career of the Master's in Painting at the Faculty of Fine Arts of the University of Lisbon, proposes a theoretical and practical reflection on the melancholic symptoms associated with the need to create a work of art. The structure of this project, entitled A Luz de Saturno (Light of Saturn), consists of three distinct main moments: two major theoretical research centers and a section dedicated to showcasing the original works that are part of the projects developed. In the first part, we will provide a brief theoretical exposition of the extensive history of the melancholic tradition and its relationship to art, drawing on Aristotle's thought, the myth of Saturn, and Albrecht Dürer's Melencolia I. Still within the first part of the investigation, we summarize the modernity of melancholy, Decadentism, and Romanticism—using as examples sources and authors that, in themselves, influence the production of the practical path of the work that constitutes the second part of this text. In the final part, after the presentation of the author's production, we will be invited to reflect on the origin of the desire to create art and how this might be related to melancholy, revealing the creative process and work habits that involve artistic experimentation, more specifically painting, drawing, and printmaking, practices previously demonstrated. Thus, the theoretical concerns present in this work arise essentially from artistic experience and are influenced by one another in parallel. Both stem from a constant questioning of the duality and durability of things, materials, and existence, and therefore call for an ontological reflection, in which Melancholy, Art, and Time are essentially interconnected.
This research, developed throughout the academic career of the Master's in Painting at the Faculty of Fine Arts of the University of Lisbon, proposes a theoretical and practical reflection on the melancholic symptoms associated with the need to create a work of art. The structure of this project, entitled A Luz de Saturno (Light of Saturn), consists of three distinct main moments: two major theoretical research centers and a section dedicated to showcasing the original works that are part of the projects developed. In the first part, we will provide a brief theoretical exposition of the extensive history of the melancholic tradition and its relationship to art, drawing on Aristotle's thought, the myth of Saturn, and Albrecht Dürer's Melencolia I. Still within the first part of the investigation, we summarize the modernity of melancholy, Decadentism, and Romanticism—using as examples sources and authors that, in themselves, influence the production of the practical path of the work that constitutes the second part of this text. In the final part, after the presentation of the author's production, we will be invited to reflect on the origin of the desire to create art and how this might be related to melancholy, revealing the creative process and work habits that involve artistic experimentation, more specifically painting, drawing, and printmaking, practices previously demonstrated. Thus, the theoretical concerns present in this work arise essentially from artistic experience and are influenced by one another in parallel. Both stem from a constant questioning of the duality and durability of things, materials, and existence, and therefore call for an ontological reflection, in which Melancholy, Art, and Time are essentially interconnected.
Descrição
Dissertação de mestrado, Pintura, 2026, Universidade de Lisboa, Faculdade de Belas-Artes.
Palavras-chave
Melancholy Time Art Artistic Project Creative Process Melancolia Tempo Arte Projeto Artístico Processo Criativo