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Abalo : intermitências da pele

2018-03-19Dissertação de mestrado Acesso aberto
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datacite.subject.fosPinturapt_PT
dc.contributor.advisorVidal, Carlos, 1964-
dc.contributor.authorVale, Nádia de Oliveira Martins do, 1986-
dc.date.accessioned2018-10-16T17:01:28Z
dc.date.available2018-10-16T17:01:28Z
dc.date.issued2018-03-19
dc.date.submitted2018-10-16
dc.description.abstractWhat is skin? What secrets does it hide? We know this: when it dances, trembles! It swallows the universe in one breath, leaving us bodiless, yet excited and desiring. The skin is much more than an anatomic terminology, actually she can be the entire definition of the individual, of all than is seen in him and all that is invisible. In this invisibility, the work of art is born, celibatary and blind, fruit of the process. They’re all machines. Some generate flow, others cut it. Transform and retransform. Drink, regurgitate or defecate. Yet they desire each other! They even procreate from the non sense. Devour the insides, die full of holes, and reborn out of nothing. Die or commit suicide. They're machines. From this desiring procedure arises the fragmentation and heteronomy, new machines, new productions... a new processpt_PT
dc.identifier.tid201882469pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/35108
dc.language.isoporpt_PT
dc.subjectPinturapt_PT
dc.subjectPelept_PT
dc.subjectHeteronímiapt_PT
dc.subjectHibridismo - na artept_PT
dc.subjectErotismopt_PT
dc.titleAbalo : intermitências da pelept_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes,, 2018pt_PT

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FBA - Dissertações de Mestrado