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dc.contributor.authorFreitas, Marcos Paulo Martins de
dc.date.accessioned2019-01-09T18:15:05Z
dc.date.available2019-01-09T18:15:05Z
dc.date.issued2014-01
dc.description.abstractThis article aims to present the work of Israeli artist living in Brazil Yiftah Peled. The work proposed here refers to the installation of 2011, (s / title) for the “Wall Project” at the Museum of Modern Art of São Paulo-MAM / SP. The installation took as his motto the participation of officials from various sectors of the museum institution, through images of his wrists, fragments of skins that were collected by the photographer, intending to bring to make the processes of contamination of architecture with the body and participation public, to take architecture as an integral part of corporeality. As a result, seen a poetics that urges the audience to stand as a participant in critical experiments revealing the role of the institution as a body that should carry into dialogue with your audiencept_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationIn: Croma. - Lisboa, 2013-. - Vol. 2, nº 3 (Jan./Jun. 2014), p. 231-239pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/36318
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherUniversidade de Lisboa, Faculdade de Belas-Artes, Centro de Investigação e Estudos em Belas-Artespt_PT
dc.subjectPeled, Yftah, 1964-pt_PT
dc.subjectArtept_PT
dc.subjectPerformancept_PT
dc.subjectInstalação (Arte)pt_PT
dc.subjectArquitecturapt_PT
dc.subjectCorpopt_PT
dc.titleParede pelept_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage239pt_PT
oaire.citation.startPage231pt_PT
oaire.citation.titleCromapt_PT
oaire.citation.volumeVol. 2, nº 3 (Jan./Jun. 2014)pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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