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A dialética do desvio : Movimento Situacionista e as repercussões da prática do détournement
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This thesis aims to analyze the major strategies and small tactics that, through a mixture of improvisation and calculation, established the reputation of a group that never exceeded a few dozen members but managed to be heard everywhere over several generations. Studying the demands and actions of the Situationist movement, implies first delving into its revolutionary ideology of overcoming art, as well as its criticisms of the avant-gardes of High and Late Modernism. This task often requires tracing the life and work of its most influential member, Guy Debord, to reinvigorate the programmatic effervescence of the Situationist International. Therefore, it operates a detour from the calcined past to update its legacy in the present. It brings it back to historical life, not as a harmless recovered project, but as a spark carrying other historiographic spirits. To achieve this, the text is divided into three parts. The first investigates the formation of the Situationist International in the face of criticism from aesthetic avant-gardes such as Surrealism and Dadaism, as well as political movements, especially those influenced by Marxism-Leninism, aiming to understand the unified critique of aesthetics and politics. The second delves into the theory and praxis of its program, focusing on the genesis of the constructed situation, examining the drift, the unitary urbanism, the détours and Guy Debord's strategic thinking. Finally, it reflects less heuristically and more as a proper historical study, starting with the events of May 1968 to the recent global anti-capitalist protests, in order to understand the impact that the movement had on its time and what remains current in its critical radicality
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Situacionismo Internacional situacionista Internacional Letrista Artes Vanguardas Dadaísmo Surrealismo Detournement