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O duplo em Frei Luís de Sousa de Almeida Garrett e em Jornada de África de Manuel Alegre: uma aproximação a D. Sebastião
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O propósito desta investigação é, em primeiro lugar, estudar as problemáticas afins ao duplo literário para chegar a um denominador comum. Posteriormente, com este princípio como chave analítica, faz-se uma análise das obras Frei Luís de Sousa de Almeida Garrett e Jornada de África de Manuel Alegre dado que a figura de D. Sebastião reveste a roupagem de duplo em ambas as obras. Assim, realiza-se uma aproximação do mito de D. Sebastião a partir das teorias sobre o duplo. Desta maneira, fez-se um percurso aproximativo aos estudos do duplo, que, grosso modo, aludem à conjunção dos opostos e à polaridade dialéctica. Aplicados estes conceitos às obras estudadas, reconheceu-se em ambas a existência de uma polaridade, onde o duplo como D. Sebastião e princípio colectivo encontrava-se num extremo, e no outro o indivíduo, encarnado em D. Madalena na peça Frei Luís de Sousa e em Sebastião, o alferes no romance Jornada de África. Chegou-se à conclusão que a ênfase dada à importância do colectivo como portugalidade, está em inversa proporção à importância dada ao aspecto individual. A individualidade frente à portugalidade é esmagada e quase banalizada. Assim, paradoxalmente, ao ser intensamente problematizada a questão da portugalidade - em oposição à individualidade -, a sua particularidade, unicidade e originalidade são fortemente desenvolvidas, em detrimento do indivíduo.
The purpose of this research is, in first place, to study the related problems to the literary double, to get to a common denominator. After this, and using this principle as analytical touchstone, the analysis of the works Frei Luís de Sousa by Almeida Garrett and Jornada de África by Manuel Alegre is made, starting from the fact that the figure of D. Sebastião has the double role in both works. Following this ideas an approximation of the myth of D. Sebastião is made starting from the theories about the double. In this way, an approach to the studies of the double is made, that, roughly speaking, relates to the conjunction of the opposites of the dialectic polarity. Having applied these concepts to the studied works, the existence of a polarity is found in both, a polarity where the double like D. Sebastião and a collective principle is in one side and on the other the individual, embodied in D. Madalena in the play Frei Luís de Sousa and in Sebastião, the second lieutenant in the novel Jornada de África. The conclusion made is that the emphasis given to the importance of the collective as portugality is in inverse proportion to the importance given to the individual aspect. The individuality in front of the portugality is overwhelmed and trivialized. In this way, paradoxically, by intensely studying problems in portugality in opposition to individuality-, its particularity, oneness and originality are strongly unveiled, to the detriment of the individual.
The purpose of this research is, in first place, to study the related problems to the literary double, to get to a common denominator. After this, and using this principle as analytical touchstone, the analysis of the works Frei Luís de Sousa by Almeida Garrett and Jornada de África by Manuel Alegre is made, starting from the fact that the figure of D. Sebastião has the double role in both works. Following this ideas an approximation of the myth of D. Sebastião is made starting from the theories about the double. In this way, an approach to the studies of the double is made, that, roughly speaking, relates to the conjunction of the opposites of the dialectic polarity. Having applied these concepts to the studied works, the existence of a polarity is found in both, a polarity where the double like D. Sebastião and a collective principle is in one side and on the other the individual, embodied in D. Madalena in the play Frei Luís de Sousa and in Sebastião, the second lieutenant in the novel Jornada de África. The conclusion made is that the emphasis given to the importance of the collective as portugality is in inverse proportion to the importance given to the individual aspect. The individuality in front of the portugality is overwhelmed and trivialized. In this way, paradoxically, by intensely studying problems in portugality in opposition to individuality-, its particularity, oneness and originality are strongly unveiled, to the detriment of the individual.
Descrição
Tese de mestrado em Estudos Românicos apresentada à Faculdade de Letras da Universidade de Lisboa, 2008
Palavras-chave
Garrett, Almeida, 1799-1854 - Crítica e interpretação Literatura portuguesa - séc.19-20 Duplos em literatura Sebastianismo Alegre, Manuel, 1936-