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Arcangelo Fuschini (1771-1834) e a pintura do neoclassicismo em Portugal
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Resumo(s)
No panorama da historiografia da arte em Portugal da viragem do século XVIII para o XIX, um
tema que cremos significativo para a compreensão da arte neste período é o que versa sobre a quase
desconhecida obra pictórica de Arcangelo Fuschini, um pintor que pretendemos enquadrar dentro da
vivência ideológica, estética e política da época em que viveu.
De certo modo, o artista caiu no esquecimento, depois de uma vida de relativo sucesso, e que com
o passar do tempo se agravou. O facto de, recentemente ter sido posto a descoberto um importante
mural da sua autoria no Palácio Nacional da Ajuda (o qual foi destapado e restaurado) veio chamar a
atenção para a sua personalidade, dados os evidentes méritos revelados pelo artista. Este mural, bem
como outras pinturas existentes no Palácio da Ajuda, não só de Fuschini mas também de outros
autores do mesmo tempo (obras que, no nosso entender, significam o último reduto do absolutismo
em Portugal), reveste-se de extrema importância para o estudo de toda a obra deste pintor régio.
Paulatinamente, uma série de obras identificadas alargou o enquadramento do artista no contexto da
sua época, e esse é o objectivo deste nosso trabalho.
Procuraremos englobar neste estudo o percurso de vida de Arcangelo Fuschini e as obras que dele
se conservam, analisando a evolução do seu estilo e enquadrando-o no ambiente sociocultural e nos
gostos da época. Sabendo desde já ser demasiado ambicioso compilar todo o espólio deste artista,
tentaremos recolher e dar a conhecer a maior quantidade possível de obras que pudemos analisar,
algumas das quais inéditas, dentro dos limites temporais que dispomos para a sua realização.
Abstract: In the art historiography panorama of Portugal, the turning point from the 18th to the 19th century, atheme we believe significant for the understanding of art in this period is what deals with the almost unknown pictorial work of Arcangelo Fuschini, a painter which we intend to integrate in the ideological, aesthetic and political experience in the era he lived. In a way, the artist fell into obscurity after a lifetime of relative success and over time it has aggravated. The fact that, recently, an important mural of his origin has been revealed (uncovered and just recently restored) drew attention to his personality, given the evident merit revealed. This mural as well as other paintings in the Ajuda National Palace, not only of Fuschini but also from other authors of the same time (works which, in our opinion, signify the last grasp of absolutism in Portugal), is of extreme importance to the study of all the works of this regal painter. Gradually, a series of works identified extended the artist's framework in the context of his time, and this is the aim of our work. We will seek to include in this study the course of life of Arcangelo Fuschini and his works which were conserved, analyzing the evolution of his style and framing it in the sociocultural environment and tastes of the time. Knowing that compiling all the treasures of this artist is too ambitious, we will try to collect and expose the largest amount possible of works that we can analyze, some of which unpublished, in the sequential limits available for its realization.
Abstract: In the art historiography panorama of Portugal, the turning point from the 18th to the 19th century, atheme we believe significant for the understanding of art in this period is what deals with the almost unknown pictorial work of Arcangelo Fuschini, a painter which we intend to integrate in the ideological, aesthetic and political experience in the era he lived. In a way, the artist fell into obscurity after a lifetime of relative success and over time it has aggravated. The fact that, recently, an important mural of his origin has been revealed (uncovered and just recently restored) drew attention to his personality, given the evident merit revealed. This mural as well as other paintings in the Ajuda National Palace, not only of Fuschini but also from other authors of the same time (works which, in our opinion, signify the last grasp of absolutism in Portugal), is of extreme importance to the study of all the works of this regal painter. Gradually, a series of works identified extended the artist's framework in the context of his time, and this is the aim of our work. We will seek to include in this study the course of life of Arcangelo Fuschini and his works which were conserved, analyzing the evolution of his style and framing it in the sociocultural environment and tastes of the time. Knowing that compiling all the treasures of this artist is too ambitious, we will try to collect and expose the largest amount possible of works that we can analyze, some of which unpublished, in the sequential limits available for its realization.
Descrição
Palavras-chave
Fuschini, Arcangelo, 1771-1834 Pintura - Portugal - séc.18-19 Neo-classicismo (Arte) - Portugal Teses de mestrado - 2016