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O Pensamento como Criação: Filosofia, Arte e Ciência. O Desafio de Deleuze e Guattari

dc.contributor.authorPombo Nabais, Catarina
dc.date.accessioned2021-03-01T16:03:50Z
dc.date.available2021-03-01T16:03:50Z
dc.date.issued2019
dc.description.abstractIn their last four-handed book, Qu’est ce que la Philosophie?, Deleuze and Guattari support the thesis that philosophy, science and art constitute three different dimensions of thought. Different but complementary. Among them there is no hierarchy or dependency. Deleuze and Guattari state it clearly: “The three ways are specific, as straightforward as each other, and are distinguished by the nature of the plan and what occupies it. To think is to think by concepts, or by functions, or by sensations, and either of these thoughts is no better than the other, or more fully, more completely, more synthetically ‘thought’” . Further, Deleuze and Guattari affirm the creative dimension of thought. “The act of thinking (…) is the only true creation” . Science, art and philosophy thus have in common the fact that they are three creative forms of thought. Now, this article aims at clarifying the meaning of this thesis and at critically proposing an enlargement of its field of application, namely as a way of enlarging the scope and the metaphysical basis of the so-called area of Sci-Art. So, we will try to elucidate the relations between art, science and philosophy thought out by Deleuze and Guattari by gathering a series of concepts (such as “thought”, “chaos”, “virtual”, “becoming”, “infinite”). Moreover, we will critically point out the existence of a fundamental ambiguity concerning the status which Deleuze and Guattari end up by granting to philosophy in its relation to science and art. Finally, we will stress the need of enlarging to science and art the transversality attributed by Deleuze and Guattari to philosophy and we will call for another concept (“intercessors”) so that the relationship between science, art and philosophy can be more deeply though out.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.17990/RPF/2019_75_4_2415pt_PT
dc.identifier.issn0870-5283,2183-461X
dc.identifier.urihttp://hdl.handle.net/10451/46587
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.publisherAletheia - Associacao Cientifica e Culturalpt_PT
dc.relationNorma Transitória - DL57/2016/CP1479/CT0067pt_PT
dc.relationNorma Transitória - DL57/2016/CP1479/CT0065pt_PT
dc.subjectartpt_PT
dc.subjectchaospt_PT
dc.subjectphilosophypt_PT
dc.subjectsciencept_PT
dc.titleO Pensamento como Criação: Filosofia, Arte e Ciência. O Desafio de Deleuze e Guattaript_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage2558pt_PT
oaire.citation.startPage2535pt_PT
oaire.citation.titleRevista Portuguesa de Filosofiapt_PT
oaire.citation.volume75pt_PT
person.familyNamePombo Nabais
person.givenNameCatarina
person.identifier.ciencia-id241F-97A3-64CD
person.identifier.orcid0000-0002-7034-1340
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication1f945a6c-2e44-44bf-b20b-6ca95c947967
relation.isAuthorOfPublication.latestForDiscovery1f945a6c-2e44-44bf-b20b-6ca95c947967

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