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Autores
Orientador(es)
Resumo(s)
The convent life of cloistered nuns in Portugal during the 17th and 18th centuries presents appealing material for satire. It creates a new farcical character: the nun’s beau. The entremeses (short farces) – the theatrical genre most suitable for satire – that depict the relations between the characters do not strictly follow the rules set for the genre, but rather establish new categories as the entremés de monja (nuns’ farce), not to be found elsewhere in the Spanish tradition. This paper studies the representation of the transgressive behaviours of the supposedly rigorous canonical models in a relevant set of plays, unique in the history of Iberian theater which were banned by Portuguese censorship boards.
Descrição
Palavras-chave
Entremez Sátira Século XVII Freiras
Contexto Educativo
Citação
Camões, José, «Monjas portuguesas entremesiles: desvíos a la norma», Serenísima palabra: Actas del X Congreso de la Asociación Internacional Siglo de Oro (ed. Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato), Venezia, Edizioni Ca Foscari, 2017, pp. 419-428
