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José Escada 1934-1980 : a consciência do desenho na conquista de outra dimensão

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorArruda, Luísa
dc.contributor.authorcaseirao, armando
dc.date.accessioned2021-04-08T14:12:41Z
dc.date.available2021-04-08T14:12:41Z
dc.date.issued2007
dc.descriptionA dissertação apresentada é composta por duas partes: a primeira parte:« O Homem : para uma biografia de José Escada» (1º volume) e a segunda parte: «A obra» (2º e 3º volumes). As figuras que compõem a primeira parte apenas podem ser consultadas na biblioteca da Faculdade de Belas Artes, bem como as Imagens que compõem o 3º volume que faz parte da segunda parte. O 4º Vol.: Catálogo raisonné. - pag. var. apenas é consultável na biblioteca da FBAULpt_PT
dc.description.abstractThe following work intends to be a contribution to the study of drawing in the work of the painter José Escada. To accomplish that, it was necessary to investigate his artistic life and all of his works, for Escada dedicated most of his life to artistic production. Escada played a very important roll in national artistic scene, although he lived for about a decade in Paris where he faced extreme difficulties. In the city of lights where he exiled due to a miss understanding, he founded the KWY group with René Bertholo, Lourdes Castro, João Vieira, Costa Pinheiro, Gonçalo Duarte, Jan Voss and Christo, which had great relevance in the artistic world at the time. He returned to Portugal as the “Primavera Marcelista” settled in, but shortly after the April revolution’s consequences stroked the art market and left the painter with financial difficulties, even though he never quitted drawing. We began the investigation with the specific purpose of studying drawing in the painter’s works; however, we were confronted with the need of disclosure the painter’s life as until now nothing has been documented about the artist and we consider that for analyzing his work we must know and understand the circumstances of his life. Analyzing his life was determinant to approach his work. We present those who related to him, his Portuguese and foreign painter friends, those who directly or indirectly influenced his work, and we analyze and compare art works and its dissection. We investigate the importance of drawing in the whole of his work, in his diversity of techniques, in the construction of his multiplicity works whether plane or three-dimensional, figurative or not. In order to analyze his work we separated his artistic production by themes so that we could better comprehend both formal and conceptual preoccupations. Finally, we chronologically regrouped in a contribution for a Catalogue Raisonné all of his works that we were able to find.pt_PT
dc.identifier.tid101159978pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/47289
dc.language.isoporpt_PT
dc.subjectEscada, José, 1934-1980pt_PT
dc.subjectDesenhopt_PT
dc.titleJosé Escada 1934-1980 : a consciência do desenho na conquista de outra dimensãopt_PT
dc.typedoctoral thesis
dspace.entity.typePublication
person.familyNamecaseirao
person.givenNamearmando jorge caseirao
person.identifier.ciencia-idF31F-A10A-C081
rcaap.rightsopenAccesspt_PT
rcaap.typedoctoralThesispt_PT
relation.isAuthorOfPublication54efd6d6-b356-4cc2-aef5-6a719c149a9a
relation.isAuthorOfPublication.latestForDiscovery54efd6d6-b356-4cc2-aef5-6a719c149a9a
thesis.degree.nameTese de doutoramento em desenho, apresentada à Universidade de Lisboa, através da Faculdade de Belas Artes, 2007pt_PT

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