| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 58.42 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
A investigação examina a evolução do design do livro impresso na era digital, com foco em Portugal e na
capa como elemento crucial na identidade das edições. Apesar das previsões sobre a morte do livro impresso
desde o nal do século XIX, este continuou a existir, adaptando-se às mudanças, inclusive com o advento
do livro digital. O estudo inicia-se com uma análise teórica do livro como objeto, abordando sua história e
a evolução do design editorial, especialmente o papel da capa como veículo de comunicação. Em seguida,
explora-se o impacto do livro digital na indústria editorial e no design do livro físico, com base em testemunhos
pro ssionais. Um estudo de caso analisa clássicos da literatura editados em Portugal desde o nal do
século XX, enfocando as capas e o conteúdo literário, antes e depois do surgimento do livro digital de grande
distribuição em 2007. A metodologia empregada inclui descrição, contexto e interpretação das capas, assim
como observação do conteúdo. A análise busca avaliar a e cácia da comunicação visual na transmissão da
narrativa. Entrevistas exploratórias com especialistas complementam a investigação, proporcionando insights
sobre a evolução do design do livro impresso em Portugal pós-2007.
the cover as a crucial element in the identity of editions. Despite predictions about the death of the printed book since the end of the 19th century, it has continued to exist, adapting to changes, including the advent of the digital book. e study begins with a theoretical analysis of the book as an object, looking at its history and the evolution of editorial design, especially the role of the cover as a vehicle of communication. It then explores the impact of the digital book on the publishing industry and on the design of the physical book, based on professional testimonies. A case study analyses literary classics published in Portugal since the end of the 20th century, focusing on covers and literary content, before and a er the emergence of the widely distributed digital book in 2007. e methodology employed includes description, context and interpretation of the covers, as well as observation of the content. e analysis seeks to assess the e ectiveness of visual communication in conveying the narrative. Exploratory interviews with experts complement the research, providing insights into the evolution of printed book design in Portugal a er 2007
the cover as a crucial element in the identity of editions. Despite predictions about the death of the printed book since the end of the 19th century, it has continued to exist, adapting to changes, including the advent of the digital book. e study begins with a theoretical analysis of the book as an object, looking at its history and the evolution of editorial design, especially the role of the cover as a vehicle of communication. It then explores the impact of the digital book on the publishing industry and on the design of the physical book, based on professional testimonies. A case study analyses literary classics published in Portugal since the end of the 20th century, focusing on covers and literary content, before and a er the emergence of the widely distributed digital book in 2007. e methodology employed includes description, context and interpretation of the covers, as well as observation of the content. e analysis seeks to assess the e ectiveness of visual communication in conveying the narrative. Exploratory interviews with experts complement the research, providing insights into the evolution of printed book design in Portugal a er 2007
Description
Keywords
design editorial design do livro impresso capas de clássicos da literatura design de capas de livros impressos edições portuguesas editorial design printed book design the book covers of classics printed book cover design portuguese editions
Pedagogical Context
Citation
Publisher
Faculdade Arquitetura, Universidade Lisboa