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Imagem dentro da imagem: entre o humor furtado, apropriação e mise-en-abyme
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In this research, the main goal is to search for the practice of appropriation in Contemporary Painting as a zenith, and how cases of appropriation have been reviewed, not only throughout the History of Art but also in the case of the present artistic project. Among the vast and fertile territory that is that of Painting, appropriation appears from the repetition of the painted image to other methodologies. André Guide states: "Everything that needs to be said has already been said. But, since no one listened, everything has to be said again." There is something profoundly beautiful in this act of recovering the knowledge of what has already been done, always with a new look, and it is here that the need arises to make the images emerge non nova sed nove and this happens through a radical recreation. This dissertation is divided into two strands: theoretical and practical. In the first strand, the theoretical, the research begins with a series of strategic questions of appropriation of images and cases and case studies where situations of humour and mise-en-abyme are pointed out, duly related to the paintings made for this research. It continues with the presentation and documentation of the artistic work, with a description of the method and processes used. Finally, other examples are presented where appropriation strategies continue to be used in contemporary times, where: "(...) nothing is created new, originality and creativity are just clever mixtures."
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Palavras-chave
Apropriação Mise-en-abyme Humor Paródia Trompe-l’oeil Pintura