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Entre coleções: um estudo comparativo das coleções de fotografia do Museu de Arte Moderna de São Paulo e do Museu Calouste Gulbenkian
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The effort in this thesis is to align two collections of photography, one from Brazil and one from Portugal, and bring them closer together with the aim of exploring the readings allowed by crossing their stories and identities, thus enunciating the knowledge aroused. The photographic sets belong to the collection of the Museum of Modern Art of São Paulo and the Modern Collection of the Calouste Gulbenkian Museum in Lisbon. It is assumed that the collections reflect the decisions made by the agents involved in the incorporation of photographs, inspired by the historical and social conditions in which they are inserted. In addition, photographs, when present in art museum environments, act as a memory of the development of photographic language, while also illustrating the intersections that are established between this support and artistic practices. By making these collections objects of a single investigation, quantitative and qualitative aspects are detailed to indicate qualities and characteristics of photography, when inside the artistic and museology context of each country. The operational field of the study carried out here is guided by the theoretical discussion about collections, particularly the idea developed by Walter Benjamin, and updated by contemporary thinkers who contribute to broaden the concepts and relate them to museology and studies on photography. The proposed approach uses the similarity as mediation, when detailing these sets, which are quite stable both from the historical and cultural point of view, and favor the approximation and recognition of information on the development of photography language in Brazil and in Portugal.
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Centro de Arte Moderna José de Azeredo Perdigão (Lisboa, Portugal) Museu de Arte Moderna de São Paulo Colecções museológicas Fotografia Fotografia artística Museologia