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Aspetos da perceção visual aplicados ao design de produto
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Abstract(s)
Visual perception and product design; an intrinsic relationship where the human component is the connecting link. The need to understand and define the mechanisms and processes that determine the existence of perception and its visual component as individual characteristics, leads to the need to relate these factors to inseparable issues of human activity and interaction, where design is an integral part. Once it is up to the designer the ensurance that each person sees his or her needs bridged by tools designed for this purpose (whether it is within the field of objects, or services), the need for visual factors and man's interactive ideas to be well known and understood, is the way to find that “optimal solution”. Transposing the perceptive aspect into the context of this work: within the question of the relationship with the object and its evolution, we must focus on the period between the industrial revolution and the present, through the point of view of design. Given the task of identifying needs and finding their solutions, it is about understanding, on the one hand, how methodologically and procedurally the designer facet of the designer has evolved in the pedagogical and practical fields, and on the other, the impact it has had at the social level and vice versa. For this, the understanding of the main perceptive theories studied over the last century is a crucial reference to understand this evolution. Once this path is identified, it becomes necessary to establish the “state of art” about these issues. Given its indispensability for a designer, it is crucial to keep this knowledge updated so that it can be managed during design activity, once its role is based on the knowledge and understanding of the human component about his surrounding environment.
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Gropius, Walter, 1883-1969 Meyer, Hannes Van der Rohe, Ludwig Mies, 1886-1969 Itten, Johannes, 1888-1967 Kandinsky, Wassily, 1866-1944 Klee, Paul, 1879-1940 Albers, Josef, 1888-1976 Bill, Max, 1908-1994 Bauhaus Hochschule für Gestaltung Ulm, - (Alemanha) Percepção visual Visão - fisiologia Design industrial Arts and Crafts Art nouveau Teorias da forma-função