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Pontos de vista, proximidade e intimidade

datacite.subject.fosHumanidades::Artespt_PT
dc.contributor.advisorMarcelino, Américo Luís Enes
dc.contributor.authorMalvar, Cygny Astra
dc.date.accessioned2025-02-17T13:17:10Z
dc.date.available2025-02-17T13:17:10Z
dc.date.issued2025-01-23
dc.description.abstractThe emergence of photography in the first half of the 19th century profoundly shook the artistic landscape, particularly concerning pictorial realism, which was closely tied to the mimetization of the visible and the appreciation of virtuosity and rigor, invariably supported by geometry and optical devices. While some artists declared the end of drawing and painting, others took advantage of the liberation from the function of faithful representation of reality, made possible by this new medium, to embark on more experimental paths, connected to the world of sensations, concepts, and ideas, exploring a new assortment of relationships with the observer. Others, like Ruskin and Degas, also saw the opportunity to initiate a dialogue with photography, exploring the possibilities it offered regarding the perception of time, space, and matter. This complex and multifaceted dialogue has continued to the present day and is present in the work of numerous artists. In this project work, I aim to continue that dialogue with a body of drawings that seeks to explore the relationship between the photographic gaze and graphic language, while also reflecting on the transformative role of photography in the practice of drawing, analyzing how artists have integrated the modes of seeing from both disciplines to establish closer connections with the observer. This reflection is an extension of our artistic project, where photography, integrated into a spontaneous and affective universe, serves as a medium and interacts processually with the sensitivity, materiality, and expressiveness of the autographic gesture of drawing.pt_PT
dc.identifier.tid203830911pt_PT
dc.identifier.urihttp://hdl.handle.net/10400.5/98486
dc.language.isoporpt_PT
dc.subjectDesenhopt_PT
dc.subjectFotografiapt_PT
dc.subjectPerspetivapt_PT
dc.subjectFamiliaridadept_PT
dc.subjectVulnerabilidadept_PT
dc.subjectPerceção visualpt_PT
dc.titlePontos de vista, proximidade e intimidadept_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameDissertação de Mestrado em Desenho, Universidade de Lisboa, Faculdade de Belas Artes, 2024pt_PT

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