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Pré-Tensão, Tensão e Pós Tensão : uma investigação na escultura para uma prática relacional
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Este trabalho teórico-prático resulta de uma investigação realizada no âmbito do Mestrado em Escultura, com o propósito de analisar a experiência da Tensão na Escultura, explorando o que ela é, onde se manifesta e como se estabelece a relação entre diferentes elementos, tanto materiais como formais no meio escultórico. A investigação divide-se em duas partes complementares: a) Um momento teórico, onde a Tensão é definida e analisada em três vertentes: a física, a emotiva e a preceptiva. Para isso, são apresentados exemplos práticos de artistas cujas obras incorporam, de forma relevante, essas características, contribuindo para o entendimento deste conceito; b) Um momento prático, que consiste na criação de diferentes esculturas que servem como uma exploração por diferentes materiais, com diversas origens e diferentes abordagens que procuram refletir sobre múltiplos métodos da utilização da Tensão, como metodologia relacional escultórica. É pretendido, portanto, dar uma contribuição condensada e focada no conhecimento deste valor intrínseco à natureza escultórica, e mostrar com este trabalho as suas possibilidades reflexivas na leitura e criação da obra artística.
This theoretical-practical work emerges from an investigation conducted throughout the Master’s in Sculpture, with the aim of analyzing the experience of Tension in sculpture. It explores the nature of Tension, its manifestations, and how relationships are established between diverse material and formal elements associated with it in the sculptural medium. The research is divided into two complementary parts: a) First, a theoretical framework in which tension is defined and analyzed through three dimensions: physical, emotional, and perceptual. To support this, practical examples are drawn from artists whose works meaningfully incorporate these characteristics, thereby contributing to a deeper understanding of the concept; b) Second, a practical component involving the creation of original sculptural works. These serve as explorations of diverse materials, origins, and approaches, reflecting on multiple methods of employing Tension as a sculptural relational methodology. Through this dual approach, the study seeks to provide a condensed and focused contribution to the understanding of Tension as a sculptural value. Additionally, it aims to demonstrate the concept’s reflective potential in both the interpretation and creation of artistic works.
This theoretical-practical work emerges from an investigation conducted throughout the Master’s in Sculpture, with the aim of analyzing the experience of Tension in sculpture. It explores the nature of Tension, its manifestations, and how relationships are established between diverse material and formal elements associated with it in the sculptural medium. The research is divided into two complementary parts: a) First, a theoretical framework in which tension is defined and analyzed through three dimensions: physical, emotional, and perceptual. To support this, practical examples are drawn from artists whose works meaningfully incorporate these characteristics, thereby contributing to a deeper understanding of the concept; b) Second, a practical component involving the creation of original sculptural works. These serve as explorations of diverse materials, origins, and approaches, reflecting on multiple methods of employing Tension as a sculptural relational methodology. Through this dual approach, the study seeks to provide a condensed and focused contribution to the understanding of Tension as a sculptural value. Additionally, it aims to demonstrate the concept’s reflective potential in both the interpretation and creation of artistic works.
Descrição
Dissertação de mestrado, Escultura, 2025, Universidade de Lisboa, Faculdade de Belas Artes
Palavras-chave
Contrast Interaction Movement Process Sculpture Contraste Escultura Interação Movimento Processo