Publicação
Lisbon on Film 1980-2020: Locating Europe
| dc.contributor.author | Liz, Mariana | |
| dc.date.accessioned | 2021-11-15T16:31:51Z | |
| dc.date.available | 2021-11-15T16:31:51Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | In Wim Wenders’ Lisbon Story (1994), a German sound engineer travels from Frankfurt to Lisbon to help a friend finish a film about the city. Lisbon is at once traditional and modern. Blue sunny skies, the reflecting waters of the river and the narrow alleys of the historical center are beautifully framed and matched in the soundtrack by the melancholic music of Madredeus. The film invites to the city the tourists that hadn’t yet arrived while highlighting the material and economic progress still to come. Flash-forward 20 years, to Night Train to Lisbon (Bille August, 2013): the light inundates the frame and presents us with a more preserved, picture-perfect Lisbon. It is full of visitors and free of scaffolding, yet still very much attached to its past. If Lisbon Story was made for a niche audience, Night Train to Lisbon had over 1.5 million viewers across Europe. Whereas Lisbon Story was one of the few films shot in Lisbon in the 1990s, Night Train to Lisbon is part of a wider media landscape and was filmed at a time when the city had become the setting for Bollywood productions, German TV series and the music video for Shakira’s 2014 single Dare. In June 2018, the Portuguese government approved a cash rebate scheme to encourage the shooting of audiovisual productions in Portugal. As the number of visitors to the Portuguese capital continues to grow, and this growth is matched by increasing filming permit requests, what is Lisbon’s international screen image? | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.citation | Liz, M. (2022). Lisbon on Film 1980-2020: Locating Europe. In Gergely, G., Hayward, S. (Eds.), The Routledge Companion to European Cinema, pp. 385-393. Routledge. Taylor and Francis | pt_PT |
| dc.identifier.doi | 10.4324/9781003027447-40 | pt_PT |
| dc.identifier.isbn | 978-0367-4618-50 | |
| dc.identifier.uri | http://hdl.handle.net/10451/50116 | |
| dc.language.iso | eng | pt_PT |
| dc.publisher | Routledge. Taylor and Francis | pt_PT |
| dc.relation.publisherversion | https://www.routledge.com/The-Routledge-Companion-to-European-Cinema/Gergely-Hayward/p/book/9780367461850 | pt_PT |
| dc.title | Lisbon on Film 1980-2020: Locating Europe | pt_PT |
| dc.type | book part | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 393 | pt_PT |
| oaire.citation.startPage | 385 | pt_PT |
| oaire.citation.title | The Routledge Companion to European Cinema | pt_PT |
| person.familyName | Liz | |
| person.givenName | Mariana | |
| person.identifier.ciencia-id | 7415-05F8-BC5E | |
| person.identifier.orcid | 0000-0003-3388-4415 | |
| person.identifier.scopus-author-id | 56524417600 | |
| rcaap.rights | restrictedAccess | pt_PT |
| rcaap.type | bookPart | pt_PT |
| relation.isAuthorOfPublication | b31626e3-89f7-4030-8563-b51e0fceafaf | |
| relation.isAuthorOfPublication.latestForDiscovery | b31626e3-89f7-4030-8563-b51e0fceafaf |
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