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A presente dissertação de mestrado foca-se no estudo do graffiti, da street art e da arte urbana e da conglomeração destes fenómenos em comunidades marginalizadas. Aliadas Ć s novas tendĆŖncias do turismo, como a autenticidade e a periferização, a arte urbana e a indĆŗstria turĆstica sĆ£o facilitadoras da expansĆ£o turĆstica para regiƵes menos propĆcias para a atividade, como os bairros municipais.
Esta anĆ”lise engloba um estudo de caso ao Bairro Padre Cruz, o qual situado na zona perifĆ©rica de Lisboa, e que possui cerca de 100 registos de inscriƧƵes artĆsticas legais. Esta dissertação procura entender as motivaƧƵes por detrĆ”s das instalaƧƵes artĆsticas, bem como as mudanƧas ocorridas na regiĆ£o com a propagação da arte urbana e a vinda do turismo, sendo que bastantes das caracterĆsticas deste estudo poderĆ£o ser transversais a outros territórios de caracterĆsticas similares ou com a ocorrĆŖncia de iniciativas artĆsticas do mesmo gĆ©nero.
The present thesis aligns with the study of graffiti, street art and urban art and how they perform in marginalized communities. Connected to the new tourism trends, such as authenticity and peripheralization, urban art and the tourism industry are facilitators of the touristic expansion to places less prepared to the tourism activity, in this case, communitarian neighborhoods. This analysis comprises a case study of Bairro Padre Cruz, located in the periphery of Lisbon: a neighborhood that contains about one hundred registries of legal urban inscriptions. This study aims to understand what are the motivations behind the artistic installations and the changes are occurred in the region with the placement of urban art and the coming of tourism, being that many of the characteristics in this study can be transversal to places of similar characteristics or with the same type of artistic initiatives.
The present thesis aligns with the study of graffiti, street art and urban art and how they perform in marginalized communities. Connected to the new tourism trends, such as authenticity and peripheralization, urban art and the tourism industry are facilitators of the touristic expansion to places less prepared to the tourism activity, in this case, communitarian neighborhoods. This analysis comprises a case study of Bairro Padre Cruz, located in the periphery of Lisbon: a neighborhood that contains about one hundred registries of legal urban inscriptions. This study aims to understand what are the motivations behind the artistic installations and the changes are occurred in the region with the placement of urban art and the coming of tourism, being that many of the characteristics in this study can be transversal to places of similar characteristics or with the same type of artistic initiatives.
