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O despertar ficcional da história : o cinema como contratempo da historiografia

2017-03-19Dissertação de mestrado Acesso aberto
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datacite.subject.fosArte Multimédia (Especialização em Audiovisuais)pt_PT
dc.contributor.advisorDias, Susana de Sousa
dc.contributor.authorVon der Osten, Tomás Mancino, 1990-
dc.date.accessioned2018-01-12T15:43:17Z
dc.date.available2018-01-12T15:43:17Z
dc.date.issued2017-03-19
dc.date.submitted2018-01-12
dc.description.abstractThis thesis is divided in three parts that describe an theoretical itinerary: at first it is proposed a relation between film and historiography, then it is addressed the specificities of reenacting past events in a film, and finally, historical fictions that reveal distinct cinematic forms of history are analyzed. In the first chapter historiographical practices are compared with the making of an historical fiction, measuring film’s capacity to transmit knowledge about the past. Modes of visibility of the past are investigated in the second chapter, departing from the question: what is the “real” of historical fiction? The focus is the problem of reenacting the past and portraying an historical event within a fictional narrative. The third chapter presents four trends of cinematic forms of history, in films of Eric Rohmer, Clint Eastwood, Roberto Rossellini, and Danièle Huillet and Jean-Marie Straubpt_PT
dc.identifier.tid201648571pt_PT
dc.identifier.urihttp://hdl.handle.net/10451/30487
dc.language.isoporpt_PT
dc.subjectRohmer, Eric, 1920-2010pt_PT
dc.subjectEastwood, Clint, 1930-pt_PT
dc.subjectRossellini, Roberto, 1906-1977pt_PT
dc.subjectStraub, Jean-Marie, 1933-pt_PT
dc.subjectHuillet, Danièle, 1936-pt_PT
dc.subjectFicçãopt_PT
dc.subjectCinemapt_PT
dc.subjectHistoriografiapt_PT
dc.subjectEncenaçãopt_PT
dc.titleO despertar ficcional da história : o cinema como contratempo da historiografiapt_PT
dc.typemaster thesis
dspace.entity.typePublication
rcaap.rightsopenAccesspt_PT
rcaap.typemasterThesispt_PT
thesis.degree.nameTese de mestrado, Arte Multimédia (Especialização em Audiovisuais), Universidade de Lisboa, Faculdade de Belas Artes, 2017pt_PT

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