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Desenho instalação: o espaço como suporte
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Despite being considered the “mother of all arts”, Drawing has been relegated for centuries to a secondary role. In freeing itself from this condition, it became a privileged means of autonomous expression, flourishing as an independent art. Following trends such as Conceptualism or Minimalism, which defines as bases of other ways of action that assume space, such as content and graphic concept, Drawing gains an expanded field of action in real space, opens a new set of approaches. An example of this new dimension is Picasso's photographic light drawings made in real space without immediate physical support.
The present work is based on this framework of change, starting from the methodical study of the potential of space as a support for drawing. Through the analysis of several artists who explore Drawing Installation, as a theoretical foundation based on the historical context of Installation Art, it was possible to define the basis of a project developed in this domain. The results allow us to conclude that space as a support increases the potential for traditional drawing practice in two-dimensional physical supports, contributing to a new way of thinking.
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Palavras-chave
Crotty, Russel, 1956- Saraiva, Pedro, 1952- Cinto, Sandra, 1968- Kricke, Norbert, 1922- Inaba, Tomohiro, 1984- James, Gareth, 1970- McGill, Dominic, 1963- Beuys, Joseph, 1921-1986 Desenho Espaço Instalação (Arte) Observador Influências