A expressão da alegria no homem e no cão : emoção animal

Queimado, Ana Maria Muniz Vivas, 1951-

Publication

A expressão da alegria no homem e no cão : emoção animal

2014-09-11Master thesis

dc.contributor.advisor	Coelho, Paulo Valejo, 1961-
dc.contributor.advisor	Pires, Graça, 1946-
dc.contributor.author	Queimado, Ana Maria Muniz Vivas, 1951-
dc.date.accessioned	2015-01-12T16:00:18Z
dc.date.available	2015-01-12T16:00:18Z
dc.date.issued	2014-09-11
dc.date.submitted	2015
dc.description.abstract	The manifestation/demonstration of joy is made and understood through facial and bodily expressions. Joy is a positive feeling that is essential to the life of human beings; joy promotes the evolution of individuals. Those who live happily develop self-realization. Smiles and laughter are expressions which can be related to joy (happiness) and help to understand the feelings that one expresses. For example, a dog can also express joy with a laugh. In Art History, animals have been represented, in pre-history, with a magical character, and, in Antiquity, with a symbolic character. They’re present in the themes of greek, roman and nordic mythologies, spreading through the Middle Ages. The dog is found in the representations of hunts led by Man and also in paintings and tapestries, blazons and rubrications. In Renaissance, with the approximation to Nature and the return to Classic Antiquity, animals are present in paintings of religious and mythological themes. In Baroque art with the emergence of genre paintings (petit genre), the presence of pets reached greater representation and realism. Unequivocally, the dog is found throughout the entire History of Art, portraits currently commissioned by their owners and friends, fruit of a deeper integration into human society. All mammals have, at different levels, the ability to establish distinct ways to communicate among themselves or with individuals of other species through body language and facial expressions; they have the possibility to understand others and make themselves understood, establishing a link that originates in a “mirror neuron” system, which is distributed in several fronto-parietal areas of the brain. This synchronizing mechanism, a characteristic of the animal kingdom, is called empathy and its existence between human beings and other animals is verifiable	por
dc.identifier.tid	201363623
dc.identifier.uri	http://hdl.handle.net/10451/15690
dc.language.iso	por	por
dc.subject	Anatomia artística	por
dc.subject	Anatomia comparada	por
dc.subject	Alegria	por
dc.subject	Emoções	por
dc.subject	Animais	por
dc.subject	Antropomorfismo	por
dc.subject	Animais na arte	por
dc.subject	Etologia animal	por
dc.title	A expressão da alegria no homem e no cão : emoção animal	por
dc.type	master thesis
dspace.entity.type	Publication
rcaap.rights	openAccess	por
rcaap.type	masterThesis	por
thesis.degree.discipline	Anatomia Artistica	por
thesis.degree.level	Mestre	por
thesis.degree.name	Tese de mestrado, Anatomia Artistica, Universidade de Lisboa, Faculdade de Belas Artes, 2014	por