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Os mecanismos do maravilhoso: momentos da ópera veneziana
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Autores
Orientador(es)
Resumo(s)
O
presente
trabalho
tem
como
objectivo
descodificar
o
momento
da
aparição
dos
primeiros
teatros
públicos,
em
Veneza,
no
século
XVII.
Debruça-‐se
no
que
significava
ir
a
uma
ópera,
nos
temas
recorrentes
da
mesma,
nas
expectativas
da
audiência,
na
cenografia
que
se
aliava
e
influenciava
o
texto
e
a
música,
bem
como
na
importância
da
oposição
entre
irracional
e
racional
no
instante
de
criação,
de
interpretação
e
de
aprovação
de
um
enredo
sobrenatural.
A
presente
análise
é
dirigida
pelo
olhar
amplificador
da
MARAVILHA,
com
o
intuito
de
observar
comportamentos
e
técnicas
capazes
de
gerar
um
imenso
universo
de
possibilidades,
ainda
que
repleto
de
regras
e
de
condições
impostas
pela
sociedade
e
pelas
possibilidades
tecnológicas
da
época.
Pretende-‐se
relembrar
compositores
e
cenógrafos
(arquitectos
e
maquinistas)
dos
primórdios
da
ópera
italiana,
enquanto
exploradores
e
visionários
na
edificação
de
um
estilo
teatral
único.
Pretende-‐se
igualmente
defender
que
a
MARAVILHA
e
os
efeitos
de
cena
eram
essenciais
para
a
transmissão
de
uma
mensagem
ecuménica,
desafiando
culturas
e
tempos,
potencializando
o
espaço
físico
do
palco
de
uma
sala
de
ópera
barroca
e
transformando-‐o
numa
dimensão
de
infinitas
possibilidades.
O
espectador
é
transportado
numa
viagem
de
maravilhas,
espantos
e
admirações
dentro
do
teatro,
bem
como
dentro
de
si
próprio.
Este
trabalho
tem
a
intenção
de
proporcionar
ao
leitor
todos
os
elementos
que
lhe
permitam
realizar
tamanha
maravilhosa
viagem.
Abstract In order to reveal the wonders of a Venetian opera from the XVII century, the present work has the purpose of describing and analysing this type of show, focusing on the first public theatre appearances in Venice. The purpose is to uncover what implied going to an opera, which were its current themes, what kind of expectations had the audience, in what way the stage design allied itself and influenced the script and music, and how important was the opposition between the irrational and rational creation, in the interpretation and approval of the supernatural storyline. The unravelling of this analysis is to magnify the WONDERS and ENCHANTMENTS of an opera and its stage machinery, in order to observe the behaviours and techniques capable of generating an immense universe of possibilities, even when packed with rules and conditions imposed by society and by the technologies present at the time. It is important to remember the visionary work of all the composers and stage designers in Italy, at the beggining of a new and unique kind of theatre, in order to understand what opera is today. In addition, this work wishes to defend that the FANTASY present in the scene effects was essential to transmit an universal message, defying cultures, times and even reality, expanding the physical confines of the baroque stage to a larger universe, in order to make you travel through a journey filled with marvellous fantasies, surprises and wonders, within the opera house as well as within yourself. This study has the intention of providing the reader with the necessary elements to make such a journey.
Abstract In order to reveal the wonders of a Venetian opera from the XVII century, the present work has the purpose of describing and analysing this type of show, focusing on the first public theatre appearances in Venice. The purpose is to uncover what implied going to an opera, which were its current themes, what kind of expectations had the audience, in what way the stage design allied itself and influenced the script and music, and how important was the opposition between the irrational and rational creation, in the interpretation and approval of the supernatural storyline. The unravelling of this analysis is to magnify the WONDERS and ENCHANTMENTS of an opera and its stage machinery, in order to observe the behaviours and techniques capable of generating an immense universe of possibilities, even when packed with rules and conditions imposed by society and by the technologies present at the time. It is important to remember the visionary work of all the composers and stage designers in Italy, at the beggining of a new and unique kind of theatre, in order to understand what opera is today. In addition, this work wishes to defend that the FANTASY present in the scene effects was essential to transmit an universal message, defying cultures, times and even reality, expanding the physical confines of the baroque stage to a larger universe, in order to make you travel through a journey filled with marvellous fantasies, surprises and wonders, within the opera house as well as within yourself. This study has the intention of providing the reader with the necessary elements to make such a journey.
Descrição
Tese de mestrado, Estudos de Teatro, Universidade de Lisboa, Faculdade de Letras, 2012
Palavras-chave
Ópera - Veneza (Itália) - séc.17 Maravilhoso - Na ópera Teses de mestrado - 2012