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Venho das estrelas : o impresentificável no azul
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Orientador(es)
Resumo(s)
The theoretical-practical dissertation was developed with the main aspiration to
establish links of connection between the blue, the invisible and the sublime. The inherent
challenged of approaching intangible concepts was conquered by leading the study through
concrete paths, that eventually ended up in a sustainable materialization of the invisible in
the blue. In an initial phase, there was a deepening in the act of seeing, for the comprehension of the visual perception intrinsic processes and the understanding of the colour theory. In a following moment, the presence and significance of the blue were investigated in time and the mystical root of the ultramarine blue was researched. The invisible forces that inhabit blue are felt in their absente presence and it is the impossibility of their apprehension, what makes the blue colour object of the sublime. This philosophical concept was developed, as the singularities that evoke it and after, refined in the work of artists of the sublime. In the practice were explored the symbolic potential of shades of blue, close to the Yves Klein’s blue and the expression of the colour profoundness, immateriality and sublime feeling, in the “unpresentable” described by Lyotard. Venho das Estrelas offers an experience of colour perception, with a growing intensification of its effect that ends with the immersion of the viewer in the colour, inviting to go beyond it and to enter an invisible universe, the extrasensory and in a movement towards the infinite, of a primordial blue
Descrição
Palavras-chave
Ribeiro, Ana Francisca Cerdeira Rodrigues, 1981- Azul Sublime Estética Invisível Colour-field Primordial Percepção visual