Publicação
Sounds at an exhibition : uma proposta de intervenção performativa musical para os museus de arte moderna e contemporânea
| datacite.subject.fos | Humanidades::Artes | pt_PT |
| dc.contributor.advisor | Bogalheiro, José | |
| dc.contributor.advisor | Sousa Dias, António | |
| dc.contributor.author | Fabbri, Isabella | |
| dc.date.accessioned | 2022-03-11T18:25:05Z | |
| dc.date.available | 2022-03-11T18:25:05Z | |
| dc.date.issued | 2022-01-14 | |
| dc.description.abstract | The purpose of this doctorate project is to build a proposal for a performative intervention that can be combined with cultural and educational activities aimed at visitors of modern and contemporary art museums. Having as protomodel the work Pictures at an Exhibition by the composer Modest Mussorgsky, the artistic creation project Sounds at an Exhibition consists of a site-specific performance in the shape of a guided tour with me participating as performer-musician. This performance, based on an interartistic transposition process, calls for a visitors group to be accompanied on a tour through the museum rooms, where participants are invited to admire ten previously selected artworks, all the while listening to music pieces that I play live. Moving away from the guided tour models, this performative action main goal is to make the audience fall in love with modern and contemporary art through a different artistic expression – music –, aiming to reformulate the fruition form of the artistic objects exposed at the museum, and thus, the relation between visitor and artworks. This project also aims to: increase the audience ability to empathize with the artwork; extend the contemplation length adding the musical dimension; turn the visitor from an observer into a participant; experience the museum as a meeting point between arts and as a space for artistic experimentation. The research, proposing itself as a theoretical and practical project which aims to articulate artistic practice with theoretical reflections, seeks to help answering to the question: how can this kind of performance promote a new way of appreciating the artworks and of visiting the museum, today, on an era of inattentive receiving? | pt_PT |
| dc.identifier.tid | 101676050 | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10451/51712 | |
| dc.language.iso | por | pt_PT |
| dc.subject | Arte da performance | pt_PT |
| dc.subject | Música | pt_PT |
| dc.subject | Site - Specific Art | pt_PT |
| dc.subject | Empatia | pt_PT |
| dc.subject | Arte multimédia | pt_PT |
| dc.subject | Transposição artística (Conceito) | pt_PT |
| dc.subject | Gesamtkunstwerk | pt_PT |
| dc.subject | Museu de Arte Moderna e Contemporânea de Estrasburgo (França) | pt_PT |
| dc.subject | Museu de Arte Moderna e Contemporânea de Trento e Rovereto (Itália) | pt_PT |
| dc.subject | Mussorgsky, Modest, 1839-1851 | pt_PT |
| dc.title | Sounds at an exhibition : uma proposta de intervenção performativa musical para os museus de arte moderna e contemporânea | pt_PT |
| dc.type | doctoral thesis | |
| dspace.entity.type | Publication | |
| person.familyName | Fabbri | |
| person.givenName | Isabella | |
| person.identifier.ciencia-id | FA1A-98A4-7B22 | |
| person.identifier.orcid | 0000-0003-1506-3736 | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | doctoralThesis | pt_PT |
| relation.isAuthorOfPublication | 32cb77a3-f275-4feb-869d-755c985754c5 | |
| relation.isAuthorOfPublication.latestForDiscovery | 32cb77a3-f275-4feb-869d-755c985754c5 | |
| thesis.degree.name | Tese de Doutoramento em Artes, Universidade de Lisboa, Faculdade de Belas Artes, 2022 | pt_PT |